"It’s an eccentric play, and undeniably less ‘important’ feeling than Ibsen’s prodigious greatest hits. ... It has a whipsmart humour and wonderful momentum to it"
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"Sour, regretful Ibsen still has much to tell us about the human cost of success – but his grim tidings need lustier pickaxe strokes."
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"It’s right that we don’t feel unearned sympathy for these characters: wrong that we feel no convincing human connection with them at all."
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"It's a strange, provoking play, full of difficult emotions and fierce feeling...its re-emergence here, at this time, feels doubly apt, as if by its very bleakness it brings a little light of insight."
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"The play only lasts an hour and three quarters, without an interval, yet feels longer."
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"Ultimately a production which reminds us of the exciting potential for theatre to turn the old inside out, and make new, if it dares to."
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"... Nicholas Hytner’s production is glacially elegant. There are bouts of sour humour, and the mood is of a game of cat’s cradle with razor wire."
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"Lighting and sound come into play effectively for the characters’ climactic venture into a winter as cold as their hearts."
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