The plot of this 90-minute musical is almost entirely non-existent. Songs are shoved into sequences in a way that is impossible to follow. The actors shift identity in a manner that lacks clarity.
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Faced with insurmountable material, Dean Johnson at least stages the production marvellously, with designer Andrew Exeter installing perhaps the most expensive set this venue has ever seen. The vocal fireworks, at least, will carry you to your destination even if the story does not.
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