'Night, Mother
58
Audience
Critics

'Night, Mother London Reviews and Tickets

58%
(2 Reviews)
Positive
50%
Mixed
0%
Negative
50%
Members say
Relevant, Middling, Poor acting, Ambitious, Thought-provoking

Stockard Channing leads in this revival of Marsha Norman’s mother-daughter drama.

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Member Reviews (2)

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307 Reviews | 62 Followers
49
Poor acting, Middling

See it if you have to see Channing.

Don't see it if a bad performer will do you in. Read more

6 Reviews | 0 Followers
72
Thought-provoking, Relevant, Ambitious

See it if An interesting outlook on a mother- daughter relationship

Don't see it if You find topics of mental health issues upsetting

Critic Reviews (6)

Time Out London
October 29th, 2021

I just wish I could be more enthusiastic about the show. It’s admirable that Channing traversed the Atlantic to star in a play that’s hardly awards-bait. It’s an almighty subject. But the treatment here is numbing, verging on dull.
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The London Evening Standard
October 29th, 2021

The show is efficiently staged by Roxana Silbert. Designer Ti Green aptly gives us a realistic 80s parlour. Rebecca Night is impressive. And Stockard Channing is here in London ... for some of us, that’s almost worth the price of admission alone.
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What's On Stage (UK)
October 29th, 2021

This basic lack of detail and texture in the writing, is compounded by the unreality of the production itself. The performances too hit one note and stay there for the course of 80-minutes.
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The Guardian (UK)
October 29th, 2021

Stockard Channing ... gives a charismatic performance [but] her emotional range is hemmed in by the sedate, discursive tone of the production. Powerful moments arise but the play does not have the devastating effect it should.
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The Guardian (UK)
November 7th, 2021

Roxana Silbert’s production has the allure of a contained and bewildered Stockard Channing and Rebecca Night, resolute and bleak as the daughter. The price of [the piece's] explicitness is a sluggish pace.
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The Arts Desk
November 2nd, 2021

Stockard Channing is hurting and hurtful in the revival of Marsha Norman's piercing 1983 drama...Norman’s humour is always coruscating, even when its effect is lacerating.
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