See it if A masterclass in verbatim and fully entertaining and engaging
Don't see it if The overindulgent runtime could put you off
See it if you want something different, relevant and inspiring
Don't see it if you believe Gen Z have it easy
Overall this is a terrific piece of work. It’s fine-grained, deftly edited, unshowily framed by Evans and set designer Vicki Mortimer to focus on the performers and the real-life stories they are telling.
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This is the latest from verbatim theatre queen Alecky Blythe...When the acting is as good as it is here the result is a thrilling suspension of disbelief; we’re aware of the artifice but also experience it as authentic.
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Still, if the running time could easily be cut by half, I haven’t seen such assured displays of youthful energy since this auditorium played host to Lee Hall’s magnificent teenage odyssey Our Ladies of Perpetual Succour six years ago.
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But as a piece of theatre, it is heavy going, its sheer ambition also its greatest weakness. This is a generation that has had it especially tough...and their stories deserve a clearer airing.
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Our Generation is an experiment that, though steered by some phenomenally assured performances, collapses under its own weight.
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But elsewhere the theatrical ideas feel a little by-the-numbers, coasting on the eminent likeability of its subjects, and the ambition and affection of its premise.
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Our Generation is an undeniably ambitious undertaking and worthy of high admiration for how all the components work together as well as they do.
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It’s a thrill to spend time inside these young people’s lives; it’s hard to imagine getting so close to these characters without the immersive documentary-style process that Blythe has honed over several plays.
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