It’s a play that feels both ambitious and necessary. But while the production is often striking in its beauty, it could benefit from a clearer, more focused understanding of what it is trying to say.
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Matthew Xia directs with sensitivity and Bethany Gupwell’s lighting design is particularly evocative, working hard to ground this slightly skittering but thoughtful play.
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Mother-daughter struggles, relationships, a sense of purpose in career, capitalism and how global majority women are treated are all explored. It's certainly interesting, with the two actors playing the whole company of the characters, but it feels as though there are too many threads.
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This is the first time Lee’s work has been produced in the UK, but her sharp humour’s survived the trip from the other side of the globe intact.
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