96%
(4 Ratings)
Positive
100%
Mixed
0%
Negative
0%
Members say
Delightful, Entertaining, Absorbing, Clever, Good writing

About the Show

A new coming of age play where a group of best friends notice changes in their friendship over time.

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Critic Reviews (10)

BroadwayWorld
March 12th, 2023

“This is a production so clearly created and performed with love from all involved. ’Sleepova’ is full of joy, sisterhood, celebration and nostalgia, and a beautiful showcase of Black female talent. Pack your sleeping bag and snacks, and join the fun.”
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Time Out London
March 2nd, 2023

“I’m sure there are layers that I’ve missed here: I’ve clearly never been a young Black woman, and when I was their age boys did not do ‘sleepovers’. But I know a good time when I see one, and ‘Sleepova’ surely is that.”
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The London Evening Standard
March 2nd, 2023

“ ‘Sleepova’ is an ensemble piece driven by a strong script...Using authentic slang studded with Yoruba phrases...it feels fresh and real in a way that most plays simply don’t.”
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WhatsOnStage
March 6th, 2023

“Throughout, Ibini writes with insight and humour conjuring the texture of their lives. Nothing is laid on too heavily.”
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The Stage (UK)
March 2nd, 2023

“Like a jar full of bright jelly beans, this new play by Matilda Feyiṣayọ Ibini is a sweet, vivid and joyous jumble...But there’s such tenderness, humour and exuberance in the writing that it’s hard to resist. And Jade Lewis’ production, though it, too, needs a better defined shape and dynamics, is a giddy sugar rush.”
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The Guardian (UK)
March 2nd, 2023

“The genius of this play is its ensemble...this is an exhilarating tableau of imperfect young friendship and you leave wanting an invite to their next party.”
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The Arts Desk
March 8th, 2023

“The writing is intermittently witty and acute, though the girls’ stories run on familiar rites-of-passage tracks...Director Jade Lewis keeps it all lively and real, but the authentic messiness isn’t always an aid to comprehension. “
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The Telegraph (UK)
March 2nd, 2023

“I couldn’t help speculating that this would have been a snappier, powder keg of a play if all of the action had been confined to one location ie the night of the sleepover, rather than protracting it loosely over several rickety time frames and locations.”
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