See it if You fancy some lolz
Don't see it if You’re not sure. It’s not going to set your world on fire Read more
See it if it can be jumpy and scary in places, be warned
Don't see it if if you are a nervous person
See it if you enjoy cleverly written horror/mystery/thriller stories with some really solid acting performances (cheryl was surprisingly good!!)
Don't see it if jumpscares and loud screaming bother you
See it if You like a mystery and want to go to a show for named casting
Don't see it if You want to listen to audiences scream and laugh inappropriately
See it if You like horror mysteries in a realistic setting
Don't see it if You don't like occasional screeching voices (not really a jump scare but was annoying!)
See it if A great plot and will give you the frights
Don't see it if Easily scared
See it if Very good twist at the end that I certainly wasn’t expecting.
Don't see it if I can’t say anything bad. Just a couple of times I struggled to hear but nothing to worry about.
See it if You are intrigued, seeking an alternative show
Don't see it if You dont like loud screaming!
"The play is witty, bracingly sweary and probes intriguing ideas."
Read more
“Without getting too carried away, it’s Cheryl – whoo-hoo – who has opened a portal to another world of possibility. ”
Read more
“The production ultimately succeeds not because of its ramped up comedy but in spite of it. It will surely win audiences once again: it has entertainment value.”
Read more
“As Dunster’s production has churned through its various casts, it has started to feel sloppier, more faded, a ghost of its original.”
Read more
"Danny Robins’s gripping ghost story is as verbally spiky as it is psychologically astute."
Read more
“If this is the result when casting a ‘personality’ brings bums to seats during a time when theatres need all the help they can get, then fair play – it's clearly a gambit that's working.”
Read more
Dunster directs ... with a macabre playfulness that comes to the fore in Ian Dickinson’s magnificently unsettling sound design. There’s no denying that Allen is the one who’ll put bums on seats. But ‘2:22’ is a rare ... example of a Good West End Ghost Play.
Read more
This is a superior, knowing piece of genre drama, well-executed, and buoyed up by Allen’s star power and skill. A great, spine-tingling night out.
Read more