See it if You want to see a very clever show by two phenomenal actors. A very interesting (and simple) concept.
Don't see it if You are easily confused. You will need to concentrate.
See it if you long for Poldark meets Doctor Who mash-ups, love a dystopian romance or care about free speech
Don't see it if you don't like artful staging (lots of minimalist tubular lighting here) or want a more serious play - this is a comedy in parts
See it if You like the idea of an interesting concept and want some great acting.
Don't see it if You will need to use your imagination and suspend disbelief at the subject matter to get the most out of this play
See it if You enjoy shows that carry a deep meaning and use staging and lighting techniques very well. Well acted, great chemistry on stage.
Don't see it if You don't like to have to think deeply about storylines or meanings behind what you simply see. Also if one 85 minute act isn't for you.
See it if you like short and sweet plays that a relevant
Don't see it if you want a full thought provoking show with a thoughtful ending
See it if The two performers hold the show together with their great chemistry.
Don't see it if The show does tend to repeat itself a few times.
See it if You want a fast paced show with an interesting concept and great acting.
Don't see it if You prefer shows with long in depth scenes that develop the story, rather than quick jumps around the time frame.
See it if you are a fan of Turner or Coleman, you like a 2-hander w/ minimalist set, or you fancy a play about details of a couple's relationship.
Don't see it if the summary of the play made you think it'll be a profound exploration of equality or freedom; the interesting premise is only a background. Read more
“...’Lemons’ is a bittersweet pleasure: a play that asks wide-ranging questions about communication and control, and a sad love story subtly enacted by two luminous screen stars.”
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"‘Lemons Lemons Lemons Lemons Lemons’ is still good after its richly deserved West End glow-up, it’s just that it’s gone a little sour."
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“If words are rationed or banned, this play suggests, we will find other ways to express our love.”
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"Plenty for fans to admire, then, but a few syllables short of a humdinger."
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"For all Turner and Coleman's energy, you never quite get to know this couple, so the play feels less profound and less moving than it should."
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“ ‘Lemons’ only works if you buy the chemistry between its two characters – and Coleman and Turner are a powerfully charismatic double act...It’s a compelling argument for art as a means of expression – for when words just aren’t enough.”
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“Coleman and Turner give it plenty but can’t quite sustain the interest to the end of its running time. ‘Lemons Lemons Lemons’ – and, at a pinch, Lemons — would have about done it.”
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“You can see why the play felt ripe for revival. The colossal act of democratic self-harm it depicts echoes Brexit and its ongoing effects; its backdrop of demo and dissent could hardly feel more timely.”
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