"A flawed but engaging experiment, and one given a beating heart by the magnificent, mercurial Corrin."
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"This is a giddy and enthralling production of a unique story that feels like a breath of fresh air."
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"It feels like commercial and art-house theatre are productively entwined here, bringing a questing intelligence and star power to hot-button issues."
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"There are lots of good things about this ‘Orlando’...It’s fun, but it’s not doing full justice to either Virginia Woolf’s book or Emma Corrin’s performance – an extra half an hour could have made a real difference."
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"What anchors attention is the coruscating Corrin. Whether it’s a darting, impish look, a nymph-like movement, a roguish smile that’s dazzling as a lighthouse...you’re ever in the presence of pure star quality."
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"The archness of the enterprise sits uneasily, though, with the description, at the end, to how Woolf’s own journey through life ended. We’ve spent the evening smiling indulgently; now, suddenly, it’s time to mourn."
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"This is a fantastic performance, full of gentle detail – shoulders wriggling in distaste, eyes wide in discovery – and Corrin provides the compelling heart of a problematic play."
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"Grandage’s production oozes sensory pleasure...this is theatre to make the heart leap: a blazing beacon to progress, to possibility, to freedom and the power of imagination."
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