The Mousetrap (London) London Reviews and Tickets
Member Reviews (39)
See it if a classic who's done is evokes joy. It fun tottery to solve.
Don't see it if don't like who's done it mysteries.
See it if You love mysteries. The play may not be as novel as it once was, but there's still a lot of fun to be had.
Don't see it if Parts of the play, due to the nature of Whodunnits, can be slow. If you need constant excitement or laughs, this isn't the show for you Read more
See it if Murder mystery
Don't see it if N/A
See it if You always wondered why it has been running for soooo looooong
Don't see it if You’d rather see something else Read more
See it if If you like a who done it,you will like this,a classic of a play.
Don't see it if Would not hold under 18 s attention
See it if You like Agatha Christie and murder mysteries.
Don't see it if You expect a satisfying ending.
See it if You enjoy great acting and trying to figure out whodunnit! A classic murder mystery must-see.
Don't see it if You have a short attention span or prefer a faster-paced production. Also bear in mind it's been running forever so is a bit dated.
See it if You like Agatha Christie mysteries, want an old fashioned who dunnit and want to see the oldest running production ever
Don't see it if Don't like old fashioned who dunnits or pure acting without songs or technical trickery
Critic Reviews (5)
“The eight-strong cast, as well as the director, changes regularly and if ‘fresh’ might be something of a stretch, the first half of Ross’s production is certainly spritely enough, as it sets in motion what looks to be a briskly efficient country house murder mystery...Unfortunately the second half gets increasingly creaky before a highly unconvincing, not to mention oddly peremptory ending. The cast play their roles, which are largely character types, with precision."
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“’The Mousetrap’ provides what a theatre museum cannot...A piece of stage life lifted wholesale from the past, a piece that carries the DNA of the first performance, that has not been re-created but continuously re-enacted. Some of what is seen is the stuffiness that gives the overmaligned 50s a bad name...What makes it still enjoyable, for all the creaks, are Christie's puzzle plotting, the soothing certainty of resolution, and one surprise that is never mentioned.”
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How has this English country-house whodunnit lasted? By telling a clear yarn with a twist. Politics is absent. Not a single swear word. A solid set. No damn puppets.
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“The real mystery...is not whodunit but, in its currently mediocre state, whydoit at all...This is a walking, talking piece of theatre history and the most expensive museum exhibit in London...A thin and campy shadow of its former self, whose creaks arise from cliché not suspense. Christie's best thrillers have a psychological conviction and a subtle sense of evil that the current cast shelve in favour of xenophobic exaggeration or dullness."
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“Those familiar with the Christie canon will find it easy to spot the murderer among this roll-call but this is not the only point of seeing the production. This is a beautifully preserved example of a country house murder mystery, a throwback to theatre going in the thirties. And should a disgruntled cab-driver tell you whodunnit there are several other moments of suspense and surprise in store to keep you guessing...An entertaining night out.”
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