“It’s easy to see why so many of the team are credited as co-creators. A show like this can only exist within the confines of pure trust and collaboration. It’s not a dialogue between the individual elements of the play, it’s a choir singing in gorgeous harmony. It’s become too popular to deem new West End openings the event of the year, but ’Vanya’ is, unquestionably, theatre at its best.”
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‘This show isn’t a vanity project, a gimmick or a rip-off of Chekhov: it’s a distillation of his compassion and humanity that creates something new. Stephens, Yates and Vize deserve massive kudos; but it’s Scott’s mercurial talent that makes it transfixing.”
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"It takes a village, and let’s not forget that it was already one of the greatest plays ever written. But still, it’s hard not to mostly come out without a sense of awe at Scott, another defining acting performance from a performer who doesn’t have any mode besides magical."
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“Those who come to see Scott on stage will not leave disappointed. We get him up close, up stage and intimate. So much so that this really is the Andrew Scott show. Chekhov comes second.”
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"It is so full of feeling and empathy that you cannot quite believe that you are actually watching a single man sitting alone, holding the arm of a chair. It is a great achievement."
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"Well, there’s stuff to love in here, details to delight in if you can find your way to them. And that’s a big if. Chekhov needs to be more dynamic than it is doleful. The case is not made here that that is a job best assigned to only one person."
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“Admittedly, anyone unfamiliar with Chekhov’s text might be bemused. But everyone will recognise the cadences of longing, disappointment, grief and fragile hope...This is theatre that gets under the skin: remarkable.”
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"Fleabag’s hot priest has delivered a performance that Chekhov fans will want to fall to their knees and adore: the funniest, sexiest, most surprisingly emotional take on this story of rural desolation that you could wish for."
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