Regular prices are $39-$149. Discount prices are $79 select orchestra and mezzanine and $59 select rear orchestra and rear mezzanine. Discount prices are valid for performances through 11/26/17. Must order by 11/26/17. Additional blackout dates may apply. All prices include a $2 facility fee. Limit of 8 tickets per order. Normal service charges apply to phone and Internet orders. Offer subject to availability and is not applicable toward previous purchases All sales are final—no refunds. Offer may be revoked or modified at any time without notice.
$79 Front Mezzanine & Select Orchestra
$59 Rear Mezzanine
Regular prices $39-$139. Discount price is $79 select orchestra and mezzanine and $59 rear mezzanine. Discount prices are valid for performances through 10/22/17. Must order by 10/22/17. Additional blackout dates may apply. All prices include a $2 facility fee. Limit of 8 tickets per order. Normal service charges apply to phone and Internet orders. Offer subject to availability and is not applicable toward previous purchases Offer may be revoked or modified at any time without notice. All sales are final—no refunds.
$59 rear mezz (reg. $79), $79 front mezz and select orchestra (reg. $109-$139)
Regular prices $39-$139. Discount price is $79 select orchestra and mezzanine and $59 rear mezzanine. Discount prices are valid for performances through 10/22/17. Must order by 10/22/17. Additional blackout dates may apply. All prices include a $2 facility fee. Limit of 8 tickets per order. Normal service charges apply to phone and Internet orders. Offer subject to availability and is not applicable toward previous purchases Offer may be revoked or modified at any time without notice. All sales are final—no refunds
Rear Mezzanine $59 (reg. $89-$129)
Select Orchestra and Front Mezzanine $79 (reg. $129-$149)
Regular priced $39 tickets can be found in the Rear Mezzanine
Regular prices $39-$149. Discount price is $79 select orchestra and mezzanine and $59 select rear orchestra and rear mezzanine. Discount prices are valid for performances through Nov. 26. Must order by Nov. 26. Additional blackout dates may apply. All prices include a $2 facility fee. Limit of 8 tickets per order. Normal service charges apply to phone and Internet orders. Offer subject to availability and is not applicable toward previous purchases All sales are final—no refunds. Offer may be revoked or modified at any time without notice. Note: Extra fees are $9 per ticket, but that's the standard charge on all tickets. Book by Nov. 26.
"Be patient with 'Time and the Conways,' because it takes a little while to get going. You will be happy you stuck around, though...Priestley’s carefully constructed play muses on the nature of time while painting a subtle, affecting portrait of the crushed aspirations of a certain English upper middle class. And the Roundabout stepped up to the plate with a sterling, subtly acted production...No matter your definition of time, the one spent at this show is well spent indeed." Full Review
"A stirring, spiffily cast revival...Priestley draws his fracturing family portrait in delicate, compassionate and occasionally funny strokes, and the excellent cast, led by the director, Rebecca Taichman, draws us into their lives with a natural warmth and ease...For the most part 'Time and the Conways,' presented here with impressive polish, has weathered the years with impressive grace. Time can be cruel to people, but on occasion it can at least be kind to works of art." Full Review
"Undoubtedly, there will be theatergoers who delight in the guarded banter of the Conway family...The rest of us will just be bored. 'Time and the Conways' doesn't really get interesting until halfway through the second act...Director Taichman's production presents Priestley's timeline with inexorable precision and a twinge of sadness...The performances are also satisfying, if slightly indulgent in that way British drawing room dramas encourage...It's not 'Downton Abbey', but it will do." Full Review
"Even an imperfect Priestley play offers food for thought, and McGovern is always a pleasure to watch...Nobody looks good in the gracefully written but too-broadly acted first scene of the play...Priestley best articulates his faith in that soothing belief system in the last movement of the play…It’s a great scene, but first we have to get there, and the erratic directorial style makes that rougher than it needs to be." Full Review
"If those late 1930s audiences only knew, as audiences at Taichman's graceful and visually surprising Roundabout production now know, the even greater horrors that would lie ahead. The playwright plays with time in a manner that pulls at emotions...Taichman offers the audience entrancing glimpses of how human existence can transcend time...Plays like 'Time and the Conways' offer warnings from the past about the possibilities for the future." Full Review
"J.B. Priestley’s 1937 drama is about time, and its current Broadway revival, if nothing else, makes you aware of time passing...It’s unclear why the Roundabout has chosen to mount this play, except perhaps that director Taichman has staged it before and McGovern was available to play the mother...The production features solid work from most of the actors...But 'Time and the Conways' requires a stronger gravitational force than McGovern’s airy performance provides. The center does not hold." Full Review
"A thoughtful revival of an ambitious, vexing, multilayered drama. Still, there’s a reason it has not appeared on Broadway since its 1938 premiere. Too often it feels like an elaborate mechanism for deploying once-fashionable cosmological ideas...Taichman’s lovely staging does what it can visually to correct this problem...All this loving attention to the play’s philosophical superstructure does little to alleviate the stiffness...Priestley and the production are working too hard." Full Review
"The play does not make a compelling case for itself...The Roundabout production has been well-staged by Rebecca Taichman...The actors do their best, I suppose, but are in some cases defeated by the material...Thanks in great part to director Taichman and the designers, this revival of 'Time and the Conways' is interesting enough. If it’s an 'interesting enough' time you’re looking for." Full Review
"Priestley’s melancholy but hopeful meditation on change glows handsomely in this well-acted and craftily designed revival...The piece may strike some viewers as old-fashioned in its tweedy, melancholy Britishness, but there’s a core of cosmic wonder and plucky humanism to the affair...Taichman doesn’t try to outsmart the material, handling it with the intelligence and clarity it deserves...There must be a special shout special shout-out to Boyer, who nearly steals the show." Full Review
"'Conways' never escapes a certain dullness for the simple reason that few of his people come alive...The director, Rebecca Taichman, has handled these dramatic goods sensitively and with enormous skill; if she can't make this play work, one wonders if anyone could. Her cast is beyond reproach...'Conways,' even in a production as elegant as this, is a dramatized theory, populated by action figures masquerading as real human beings." Full Review
"Taichman’s direction is tight and measured, though she does allow some of the cast to limn their upper-crust cluelessness a bit too broadly...The bulwark of this production is Charlotte Parry’s conflicted Kay...She intensely charts Kay’s struggle to comprehend the vagaries of life and her final moments of attempting to reconcile youthful optimism with mature reality are heartbreaking...Though the ironic storyline is predictable, this is 'Time' well spent." Full Review
"After the 35 minutes of the first scene, I wondered why anybody would bring J.B. Priestley’s play back from the dead...Through the characters’ energetic bickering, 'Time and the Conways' briefly comes to life...All ten members of the cast are individually quite fine and talented performers, and I wonder whether I would have appreciated more what they bring to 'Time and the Conways' had that tedious trifle of a first scene not made time stand still." Full Review
"In a beautiful staging sleight of hand we slide forward 19 years to 1937...The direction of Taichman was surprising here. After her masterful turn with 'Indecent,' I expected her to have more of a firm hand. More than once the cast seems confined to the stage because they have lines to give, not because their character has an agenda...The blocking is unexceptional, the accents differ wildly, and there is no inner drum that drives them...All in all this is a bland production." Full Review
“Although they can't avoid the taint of staginess…, the actors generally achieve the privileged British air suitable for the drawing room environment…It's wonderful to see the elegantly slim Elizabeth McGovern as the disagreeable Mrs. Conway, a role superficially similar to her Cora Crawley on ‘Downton Abbey,’ but far richer in dramatic colors…’Time and the Conways’ is as beautiful to look at as it's pleasing to hear. Priestley's gem…has its flaws but is still worth the time spent gazing at it.” Full Review
"The plush Roundabout revival demands patience, withholding payoff for its haunting final moments...This is not the subtlest of plays, and Taichman allows half her actors to wade into over-emphatic melodrama...A funny old play, interesting more for its structural adventurousness than its thematic trenchancy. And while Taichman and her uneven cast can't obscure the writing's weaknesses, the production closes on a forceful note that makes it retroactively quite satisfying." Full Review
"A fine play, one whose Ayckbourn-like time-travel premise is no longer innovative but remains effective...It would have profited from a small-scale off-Broadway production...The Roundabout’s revival rattles ineffectually around the 40-foot-wide stage...Taichman’s staging is notable mostly for its predictability of characterization. Save for McGovern and Boyer, everyone in the cast mostly sticks to shallow caricature. 'Time and the Conways' deserves better—much better." Full Review
"Sad, strange, supernatural, slow, static, stuffy, slight and stilted...An occasionally stimulating, mostly dull production...Except for a handful of striking moments, the play comes off as a boring mishmash of Chekhov’s 'The Cherry Orchard,' Sondheim’s 'Merrily We Roll Along' and, of course, 'Downton Abbey.' Perhaps it would work better with an all-English cast that possesses ensemble unity. Here, the performances are uneven – and so are the accents." Full Review
"Many elements of director Rebecca Taichman’s production help to establish the playwright’s reassuring conviction...Most of the cast, especially as Taichman directs them in act one, pushes hard to sound as cheerfully British as possible. Later, they prove their mettle. Parry, Boyer, Bloom, and Baryshnikov are special standouts...Time has had its way with 'Time and the Conways'. Yet if this is what time has wrought, then this much we can confirm: Priestley’s heartfelt play is timeless." Full Review
"Parry is wonderful...I was also impressed by Boyer and Ebert, both playing against type and landing solid and mesmerizing performances. McGovern may be the star of this production, but I felt her performance was the weakest, lacking in demonstrative actions that would make us understand just how manipulative this woman is. I did love Taichman’s direction, which I found layered on so many levels...Simplistically beautiful and I appreciated what it was trying to impart." Full Review
"While McGovern heads the Roundabout revival, the brightest star is an eloquent and evocative set that underscores the themes of the 1937 drama...Without the time-leaping construction, the play is pretty conventional. It also has an annoying habit of overexplaining itself...While ideas are underlined and highlighted, characters tend to be fairly one-dimensional. But under the sensitive direction of Rebecca Taichman, a first-rate ensemble breathes vibrant life into the adult Conway children." Full Review
"'Time and the Conways' feels stitched together in a hurry, a costume drama with no coherent point of view and performances so at odds with one another as to screech like chalk on slate. McGovern is the chief victim of this; her shrill performance lacks the conviction necessary to make this monster mom compelling or even much more than a vague annoyance...'Time and the Conways' should be unnerving, but here it’s simply undone." Full Review
"While 'Time and the Conways' has a lot going for it...Despite a slow to gain altitude first act, the current production is a good fit for the Roundabout and its audiences' love affair with elegantly staged British dramas...Patel's brilliant visual coup literally takes us to two virtually alike yet oh so different scenes...That bit of theatrical magic makes the play shed its dated feeling and come alive. It also brings out the best in most of the actors." Full Review
“A retelling of the important 1937 play that transforms Priestley’s important discussions…from an intellectual exercise to a deeply spiritual quest that raises several deep, rich, and enduring questions…Neil Patel’s set supports Rebecca Taichman’s inventive staging…This adds a welcomed magical realism to J. B. Priestley’s already metaphysical themes…A sensitive and courageous exploration of how time the possibility of alternate universes.” Full Review
"It’s an unconventional structure that has an emotional payoff even though it leaves some of our questions unanswered...The cast is uniformly strong, although I do wish Ms. Camp smiled less...Director Taichman negotiates the play’s complexities smoothly. I felt that the production was probably better than the play deserved, that when you strip away the play’s gimmicks, there isn’t enough substance there. Nevertheless, I was grateful for the opportunity to see it in this splendid production." Full Review
"Taichman reshapes the drama enough to give it an emotional resonance that’s not on the page...And that diversion is greatly enhanced by Patel’s set design, which turns time travel into a visually stunning trip...Just as Priestly is unsubtle in establishing each of his characters in act one, he is just as blunt when it comes to dishing up their respective failures. Taichman works magic with Priestley’s white-and-black approach...McGovern leads a marvelous ensemble under her direction." Full Review
See it if Incredible performance by Charlotte Parry, great direction by Rebecca Taichman, and a killer set change.
Don't see it if Maybe it's a little dated, but I still connected to it very much.
See it if Interested in strange theories on time, dark stories, and a dysfunctional family where everyone is miserable
Don't see it if You want a show with a more coherent plot, intelligible themes, and greater energy
See it if You like the actors - the acting style was a bit overdone but the performers are solid talents so it ended up working.
Don't see it if You don't like period pieces. You don't want to sit through something too long - the show seemed complete after Act 1 so the rest was extra.
See it if You like well crafted drama. The pace is not fast, and it takes a while to learn who every is, but it all comes together in the end.
Don't see it if You are impatient about learning who everyone is early in the show. Some of the important stuff is only revealed later.
See it if This one misses the mark. It has some decent acting for sure, however, it gets slow at various points .The show can be moving and thought
Don't see it if provoking. With all the great stuff on and off Broadway, you can miss this one. it is slow at times, loses it way at times, not my fav.
See it if You have the patience to go with this well performed & directed, prescient period piece to catch two visually stunning bits of pure theatre.
Don't see it if You can't get past the British drawing-room setup. Costumes & design are terrific, cast effective; Baryshnikov, Parry & Boyer shine.
See it if you are fascinated by the concept of time and its manipulation or want to see solid acting by the ensemble cast.
Don't see it if you are looking for a light show that doesn't require you to think or need a fast-paced story to hold your interest.
See it if you are interested in rather obvious characters engaged in family drama. the second act makes the first and third acts work better
Don't see it if you are annoyed by poor diction and projection. Difficult to understand what the stock characters are saying but at last the meaning shows
See it if You really want to see Elizabeth McGovern. She’s goodThe concept of cause and effect are interesting, but not a lot of unexpected happenings
Don't see it if You have no patience for slow moving plot and uneven accents. At a pre talk a staffer felt the 2nd half is the big payoff. Not so much.
See it if you like interesting topics that are timely many, many years after it was written.
Don't see it if haven't done some research on the playwright or if you're not attending the Tuesday evening, pre-show lecture in the 5th floor lounge.
See it if You are a fan of the cast members.In addition, the staging and costumes are great.
Don't see it if You prefer plays with greater dramatic impact.The second act was more interesting.
See it if You're a fan of someone in the cast, or you can afford to sit in the first 10 rows of the orchestra.
Don't see it if A show that should be in an intimate, living-room space being in a huge venue that it can't possibly fill will bother you.
See it if Your a fan of discussion puff family, place/time, and even the butterfly effect.
Don't see it if You detest melodrama. The majority of the play utilizes a stereotypical English pastiche (though there's a good reason).
See it if you could enjoy (as I did) a dated, slow play that dips its toe into a rather bizarre philosophy about time in the period between the Wars
Don't see it if you want more than a pleasant visual experience, require nuanced characters, cannot tolerate a really slow start
See it if The acting is very good and the cast is known to theater goers. Clever sets. Elizabeth McGovern has star power.
Don't see it if It’s not confusing in the “I didn’t understand it” way but rather in what point it was making.
See it if This is an ambitious production reflected in its large, excellent, hard-working cast and elaborate sets, and it includes a TV-movie star.
Don't see it if The point is unclear. It's about "time" -- it's in the title, it's how the sets are used, and there's one speech about it. But it's slow.
See it if You are a "Downton Abbey" fan, wouldn't want to miss an opportunity to see a star live, & are old enough to recall life before the internet!
Don't see it if you need to understand every word spoken & wouldn't care for a dated English drama no matter who stars in it. No Broadway razzle dazzle here
See it if You appreciate great acting and a story you can easily follow with a few twists and turns. Tip: Use a theatre hearing device.
Don't see it if You like musicals over plays. You can not relate to dysfunctional family life.
See it if You like period pieces, ruminations on the fluidity of time (yes, I said that), Elizabeth McGovern (wonderful), and a solidly underused cast
Don't see it if You want clear answers, crisp writing, linear plot lines, or lots of action. I wanted to like this much more than I did. Just disappointing.
See it if British drama where the alleged flippant behavior of the rich bites them in the future and the meek inherit the earth. SUNBLVD like set
Don't see it if While exactly the play RTC should do from time to time its British keep-things-under-the-surface style will not wow first time theatregoers
See it if You have a thing for Elizabeth McGovern and family drama in the era between the wars
Don't see it if You like your chronology in a straight line and your acting realistic
Get alerts about your favorite artists and theater companies