Bar Mitzvah Boy NYC Reviews and Tickets
Show-Score Member Reviews (19)
See it if you like a story about family and tradition with a wonderful cast in addition to music by Jule Styne and Don Black.
Don't see it if you don't like hand-in-script performances although they can offer wonderful experiences with "old" musicals.
See it if you like a good story with an incredibly talented cast, so typical of the York Theatre productions
Don't see it if you need full, splashy productions
See it if you want to see a rare Jule styne performed originally in London's West End in 1976 about a 13 yo boy trying to understand what makes a man
Don't see it if you don't enjoy scaled down versions of big musicals that eliminate dancing and production numbers.
See it if you appreciate a charming, witty, intimate musical about family relations and traditions/
Don't see it if you only enjoy full-blown musical productions
See it if You like Jewish culture; if you liked Fiddler and Falsettos; if you want to discover a cute gem of a musical.
Don't see it if You don't like the Mufti's style of simple productions; if you don't like "undeveloped" projects; if you don't like cute/fun stories. Read more
See it if you are Jewish or have experienced a bar mitzvah. See it to understand more about what a 13-year old goes through on his special day.
Don't see it if Jewish themes do not interest you. Don't see it if you are expecting a full-blown musical. Read more
See it if you're interested in Jule Styne's lesser known work and/or an enjoyable, if not dazzling show.
Don't see it if you're not interested in a story about a Bar Mitzvah gone awry.
See it if primarily of interest to Styne completists. Ben Fankhauser shines as the older sister's bf. Peyton Lusk is terrific in the title role.
Don't see it if British accents annoy you. Jewish family troubles are the same in London as in Brooklyn. Breezy -- well done. Piano only.
Critic Reviews (6)
"A slight but tuneful musical...Regrettably, even in a stripped-down production with an excellent cast and wall-to-wall Jule Styne melodies, 'Bar Mitzvah Boy' is paper-thin material and peopled with stock Jewish characters...This is not top-drawer Styne by any means, but there are some lovely musical moments in the show and make it well worth the visit...Unfortunately, Black's lyrics are not generally up to Styne's melodies...To a person the cast is completely winning."
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“‘Bar Mitzvah Boy’ may not be a top-drawer Jule Styne musical, but Jack Rosenthal's original story and David Thompson's new book are well enough observed to have the ring of truth. The family chaos in planning the affair and problems precipitated by the son's behavior are sharply and shrewdly detailed enough to be absorbing in a way that all can relate to. Annette Jolles' production for The York Theatre Company gets a great deal out of the material without the trappings of a full production.”
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"Reveals no rediscovered gem...But if the company has not managed to pull the rabbi out of the hat with this one, 'Bar Mitzvah Boy’s' place in the composer’s canon, along with a book that does a fine job of capturing all of the mishigas surrounding that mix of religious rite-of-passage and social event in the life of pretty much every 13-year-old Jewish boy, makes it a must-see for Styne fans or for seekers after elusive musicals."
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"This is exactly the kind of show that the York should be doing as part of its Musicals in Mufti series. It’s also pretty darned awful...It’s pretty clear that the authors were aiming for a show that was funny and heartwarming, and now and then we see faint glimmers of success in this regard...But the show gets weighed down in irritating family quirks and stock Jewish characterizations that feel like a Central Casting sampler."
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"A light coming of age comedy...The cast here was on the whole...outstanding...Although the draw for this show is the score written by Styne...Don't expect to hear any songs that have survived on their own...The lyrics are largely unmemorable. That said, the show is heartwarming and incisive as a story of adolescence, Jewish or non, perhaps due to its pedigree as a play, rather than as a musical, and due to the talents of the cast in putting meat on the bones of their characters."
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"This small cast and the newly scripted version for the most part effectively tell a very simple story that follows a classic dramatic arc...'Bar Mitzvah Boy' is still familiar stuff and would benefit from losing at least ten minutes. It's still most appealing to Jewish theater goers and also Styne fans. But here's where I had my biggest problem with this Mufti take...With this production's overture and songs orchestrated by Loud for a single piano, this made judging this score even more difficult."
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