Bright Colors and Bold Patterns NYC Reviews and Tickets
Member Reviews (242)
See it if you want to enjoy a thoughtful, witty, fast-paced, over-the-top (yet authentic) 1-man tour-de-force about being gay in the gay marriage era.
Don't see it if you're easily offended by flamboyant gay patter. [Sure, the character's an insufferable stereotype, but the play has heart & lots of laughs] Read more
See it if You want laugh and have a good time.
Don't see it if Gay topic in this show.
See it if ...you are interested in gay theater, or gay history, or the current state of gay life among a subset of gay men,
Don't see it if ...you have little tolerance for cliches about gay male style, or gay male relationships, or gay male reliance on booze & drugs to get by.
See it if You love funny, over-the-top bitchy gay characters being extra.
Don't see it if Watching a Carson Kressley-esque character bitch for 75 minutes isn’t your thing.
See it if you like a sarcastic one-man show.
Don't see it if you don't find entertainment in watching the demise of a boozy and cynical depressive at a party. That guy.
See it if You want to see an incredible performer interact with characters that are not present on stage
Don't see it if You are not interested in a one person show about going to a gay wedding Read more
See it if You'd enjoy a 1-man show about a guy who's drinking, out with friends, telling stories, etc. But who's really lonely deep down inside.
Don't see it if You'd want a larger cast. But the 85 minutes goes by fast.
See it if you'd like to see a one-man show after which you'd swear you watched a play with several characters onstage.
Don't see it if you hate humor, fun, and/or one-man shows.
Critic Reviews (32)
"As played with devastatingly funny panache by Mr. Droege himself, Gerry would probably be overwhelming in real life...But at a safe distance onstage, he’s a delight — a slightly exhausting one (10 minutes less would be more), but still a delight...Plays do not get much gayer than 'Bright Colors,' which opened in a spiffy production directed by Michael Urie...This 80-minute evening is essentially an audience with Gerry...I believe the clinical term is 'hot mess.'"
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“80 minutes of classic gay snark...Droege is hilarious as Gerry, causing the audience to laugh loudly and often at the character's antics, which include a number of popular culture references...While the section in which Gerry lets down his guard is needed in a play that would otherwise be too superficial, this portion dragged a bit and could have been shorter. Nevertheless, 'Bright Colors' is an entertaining character sketch. It might not get you thinking very much, but it will keep you laughing.”
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"A theatrical display of comedic genius. Any fan of Droege's other work will instantly recognize his quick wit, less-then-obvious humor, and underlying intelligence, all quietly commanding a seemingly chaotic, over-the-top ship...Hiller gives an awe-inspiring display of acting craftsmanship...The bare bones of his performance have clearly been guided by Urie's firm and expert handling of comedy in basic human behavior."
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“Droege rattles off rapid-fire popular culture references with a coked-up energy that somehow breathes enough to allow his audience to digest and laugh at his outlandish observations...Director Michael Urie has helped Droege nail the pacing, though a montage transition halfway through feels a bit clumsy…Droege teeters on the edge of sentimental with childhood tales of ostracization...but he earns these pauses from breakneck comedy by being vulnerable and truthful.”
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"The tragicomedy of the season...It is to Droege’s immense credit as a playwright and actor that the play is so smooth...An incredible feat: constructing dialogue and performance so immaculately that even nonspeaking invisible roles are full three-dimensional characters...Underneath the hilarity, however, lies poignancy...Gerry is a flawed man. He represents the best and worst of us...Droege creates the world, and Urie colors it. This show is a delight."
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“A hilariously campy night at the theatre...A fearless solo performance with a hell of a lot of heart— though the main character, Gerry, wouldn’t likely admit it...I initially cringed when Gerry spoke at the empty spots where Mack and Dwayne should be, but Droege, who not only stars in but also wrote the piece, pulls the choice off with aplomb — in no small part because of the dazzling buffet of facial expressions at his command from moment to moment.”
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"Hasn't lost any of its biting wit and dark laughs...It's a marvelously funny piece of writing...Hiller nails it time and time again. It's bitchy and uncomfortable at moments, cruel and mean-spirited at times, but underneath all that, there lies a whole lot of raw truth in that discomfort...The talented threesome of Urie, Droege, and Hiller squeeze out every conceivable laugh from this very funny, dark, and engaging material."
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"Fucking hilarious...Hiller is a star. His collaboration with Urie has resulted in a nuanced and hilarious performance, one where the audience immediately trusts Hiller to take us on a ride with him. His performance is so crystal-clear that even when the writing falters, as it gets serious...we’re still hooked because we’re waiting for his next wisecrack to shut the house down. Urie and Hiller have created extremely clear focal points for each of the other on-stage characters."
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