“If you’re wondering whether you’ll enjoy the revolution, Silverman’s 'Collective Rage' makes an excellent (and hilarious) test case...For all its political and aesthetic cred, the production is entirely a delight...A trenchant and snappy production; even the props get laughs. The best revolutions are, after all, clear of purpose and expertly timed...The same could be said of the cast, which radiates the kind of gusto that actors working with enjoyable material don’t need to fake."
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“It’s not that ‘Collective Rage’ is a very bad play...it’s a very normal one...The show’s five actors are its saving grace...Donahue does confident, compassionate work with his ensemble — pushing the comedy but retaining the characters’ humanity — and he and his designers keep the show swift and clean...’Collective Rage’ might want to reveal its heart, but like many a hipster, it waits too late and, despite its sassy exterior, is a little too scared.”
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“With touches of absurdity, this play...can feel thin and representative at times, but the journey remains a wacky romp underpinned with emotion...Donahue’s colorful production is mostly zippy...The director embraces the play’s unpredictability...With moments of hilarity and poignancy, 'Collective Rage' offers a broad spectrum of queer voices rarely seen on stage, and Silverman and these performers make sure we hear them each distinctly.”
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“Forced and repetitious. As demonstrated by the cutesy subtitle, the playwright seems tickled to death with her own cleverness...There are some funny lines...But the unfocused work adds up to much less than the sum of its parts...The actresses throw themselves into their roles with admirable fearlessness and energy, while Donahue's staging seems designed to keep things moving quickly enough to help us overlook the writing's scattershot elements.”
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“’Collective Rage:’ is an indefinable creature that knows exactly what it is — a rare breed that leaves you with the best combination of befuddlement, curiosity, and delight...Silverman and Donahue confidently guide us through the simultaneous creation and destruction of the metaphorical boxes in which our five Betties live...Each of the five women embrace their theatrical characters, gaining inspiration from their assigned roles to seize what (and who) they want."
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"Delightful bit of heartfelt absurdism...The story is told through Silverman's series of quick, sharply-written vignettes, played by a stellar cast in director Mike Donahue's slickly energized production...Verson's tender, empathetic performance will have audiences laughing, crying and cheering her on every step of the way...'Collective Rage' is a little weird and a lot of wonderful."
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"So confidently do all five cast members skate along the play's thin surface, they make it seem better than it is...In any case, Donahue's direction goes a long way toward keeping things buoyant...At best beguiling and at worst harmless, 'Collective Rage' is sufficiently of the moment that it is likely to bring pleasure and relief to an audience starved for new female voices. But it would have been even better if it had something to say...It's a cute idea--but where is the collective rage?"
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"'Collective Rage' looks at the intersection of race, class, gender identity, and sexual politics through the prism of five women named Betty. They've got a lot to say and watching them meet and compare notes is a hilarious delight...Cleverly directed by Mike Donahue...Granted, Silverman's play needs some fine-tuning and fleshing out. It's easy to enjoy it in Donahue's inventive production with a strong cast, but one suspects it would pale in lesser hands.
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