First Daughter Suite NYC Reviews and Tickets
Member Reviews (55)
See it if you love LaChiusa's work. FDS is highly polished: beautifully staged, well acted/sung, great production values. Stories are wild fictions.
Don't see it if you don't like LaC's music or are easily confused. Knowledge of the characters helps in following the plots. Still, terrific performances. Read more
See it if you enjoy a variety of musical genres to portray fraught First Lady/Daughter relationships; Nancy Reagan/Patti Davis scene is memorable
Don't see it if you want to see a musical that is more than a series of unrelated skits, and prefer sonorous melodies to atonal recitative
See it if You love Michael John LaChiusa and will see anything he writes.
Don't see it if You don't enjoy more experimental music theater.
See it if you enjoy the work of Michael John LaChiusa, especially "First Lady Suite>. you enjoy fine performances from a group of fine actresses.
Don't see it if you are not a history or politics fan. Also, if you shy away from unconventional theatre.
See it if You are interested in seeing musical portrayals of some of our First Ladies.
Don't see it if You don't like satire and shows done in skit form.
See it if You are over 50 or are a Presidential Historian into kitsch. Two acts divided into 4 pieces, last piece is the best and most contemporary
Don't see it if hate cutesy impersonations that may be true
See it if you want to see an all-star cast perform beautifully orchestrated songs or if you enjoy the work of Michael John LaChiusa.
Don't see it if you don't understand the historical context or don't want to see a series of largely unrelated musical vignettes.
See it if you like a historical story told in segments- this was a surprisingly wonderful experience
Don't see it if you don't have some basic knowledge in the families portrayed- you will miss some of the meaning
Critic Reviews (32)
"The limitations of the chamber work suit Mr. LaChiusa, whose large-scale musicals have sometimes seemed to sprawl out of shape and deflate. Working within the confines of this production’s self-contained vignettes, his music — and his talent — seems all the larger for being reined in. Like his captive characters, 'First Daughter Suite' thinks — and feels — way outside the box."
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"'First Daughter Suite' may focus more on the girls who grew up under extraordinary circumstances in the White House, but the spouses still fascinate LaChiusa. Whether we share his obsession is another matter...While there is sparkling, ruminative music and witty lyrics, each piece goes on for 5 or 10 minute too long. Still, for political junkies, there’s fun to be had."
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"The four sections of his latest musical 'First Daughter Suite' are, in order of appearance, smart, laborious, awful, and sublime...There is little that holds the evening together, despite a certain amount of thematic appliqué...In the end, these suites, being episodic, cannot dredge deep meaning the way narrative works can. Still, if it takes Amy Carter and Patti Davis to get to Barbara Bush, that’s a compromise I can live with."
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"Although the evening features plenty of emotionally and comically resonant moments along the way — familiarity with the historical figures depicted helps greatly — 'First Daughter Suite' is ultimately too trivial and self-indulgent to register as much more than a curiosity. And while LaChiusa's lyrics are often witty, his recitative-heavy score is mostly tedious and repetitive, its high style too often jarring with the sophomoric silliness of the proceedings."
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"Kirsten Sanderson’s staging is simple to a fault, but the ensemble cast is so good that it doesn’t matter. Ms. Testa also gets to sing the best number in the show, an extended duet whose softly undulating harmonies evoke Sondheim’s distinctive style without succumbing to mere derivativeness. The six-piece pit band lacks drive but that’s a counsel of perfection. In every other way, 'First Daughter Suite' is a little masterpiece."
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"'First Daughter Suite' is absolutely enchanting, musically and dramatically...There’s enough sadness and whimsy in 'First Daughter Suite,' all kept deftly in balance, to leave us wanting more. I didn’t want it to end."
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"If you walk away with nothing else, you will walk away astonished at the talent on the stage and in the orchestra. This production shoots the moon with talent and skill. The opening scene is nothing short of magnificent...Would that the entire piece lived up to it…The overall piece does not guide us along a path of firm footing. Instead we are left with scenes from the residencies that come across more like a house of horrors."
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"It's a safe bet that 'First Daughter Suite' will not go on to achieve the commercial success of 'Fun Home' or 'Hamilton,' both of which also originated at the Public Theater -- but that's not to say it wasn't worth producing, at least from an artistic perspective...'First Daughter Suite' may be uneven and tense, but it is often compelling."
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