" 'I Hear You and Rejoice' is deeply moving and frequently hilarious, a profound portrait of a marriage, and an accomplished work from an artist who is carving out of his native County Sligo, a terrain as unforgettable as Brian Friel's fictional Ballybeg."
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"Accomplished entertainer though he is, Tony Cleary doesn’t have a thing on his creator...This virtuoso is strictly small-time compared to Mikel Murfi, the inexhaustibly multifarious writer, director and sole performer...It’s ultimately impossible to resist the gale theatrical force as Mr. Murfi presents his heroine through a multi-angled prism, with body language as precise, condensed and evocative as Morse code."
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“Murfi is amazing...Murfi employs his vocal and physical prowess to conjure up an entire community on the stage that is bare...An exquisite theatrical experience of the purest form...Murfi is breathtaking as he clowns, mimes and barrels all over the space while distinctively rendering each character...He creates a work that combines humor and pathos with a characteristic Irish dark sensibility...Murfi’s simple staging craftily serves the material...The production has momentum and visual depth.”
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"Mikel Murfi contains multitudes – still. The Irish actor can fill a one-man show with people: men, women, children. He brings whole villages to life...Murfi is legion and it is quite a thing to watch...This is a show that abounds with love – so much that, in many ways, it struggles to find the words for it...But it works less through words than through feeling. Through Pat, you feel like you've known Kitsy Rainey all your life."
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“It’s lovely to see how a simple twist of a hip can suggest a woman who is annoyed, and a tugging gesture at the armpits can suggest an ill-fitting bra...A program note indicates that encounters Murfi had with groups of older people in Sligo helped formulate these remarkable theater pieces...In addition...it is a tremendous pleasure to witness the remarkable Murfi, dressed in pants, suspenders, and a shirt, take stage so effectively with nary a prop save for a chair.”
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“This performance by Mikel Murfi holds you close, makes you listen as he weaves a storyteller’s spell...Murfi, alone on stage with just a chair, is writer and performer. He is barefoot, in suit trousers and braces, transforming himself into a multiplicity of characters...The show is 75 minutes long, funny and sad at the same time, just the right length for a piece that never bores and, in the end, touches the heart.”
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"Preaching to the converted, Murfi’s less inventive follow-on suffers the dreaded curse of the sequel; being far less interesting or engaging than the first. There’s still plenty of comedy, plenty of sighs, plenty of Murfi’s impeccable performance skills, and more strands of nostalgia and sentimentality than you'd find on a stick of candy floss. Yet this eulogy for a whirlwind is absent a whirlwind, despite some genuinely touching and hilarious moments."
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"I have to confess that for much of the 75 minutes, I felt I was trying to get a handle on a runaway chicken of a yarn, flapping this way and that. Those who’ve suffered grief and loss may be able to catch, if they’re quick-eared, nicely turned phrases of touching consolation...Miserable sinner that I am, I found much of it deathly, and rejoiced not a lot."
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