"This drama makes up for its rough edges by being consistently imaginative, intelligent, and provocative…Director Michael Parva choreographs this complex ballet of ideas with clarity and precision. He artfully employs dimension shifts and magical special effects in a way that deepen the themes of the play…’Martin Luther on Trial' offers something that has been sorely missing from the NY theater scene for far too long: high-quality, challenging theater from a Christian perspective."
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"You might not expect a trial that entails controversial religious issues...would be as funnily histrionic as this one is. The authors make their case both amusingly and formidably with a text that is filled to the brim with witty irreverence and impassioned rhetoric...Under the direction of Michael Parva tension is built as the trial proceeds with flashbacks into Luther's turbulent life...Whatever your view, I suspect you will be enthralled as I by this damned (apology to the Devil) good show."
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"'Martin Luther on Trial' is a fascinating investigation of the life and ideas of the founder of the Protestant Reformation. Whatever your religious beliefs, this is a balanced and theatrical representation of one of the great thinkers and shakers of Western Civilization. It is timely in that 2017 is the 500th anniversary of Luther's break from Rome."
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"A most unusual and dazzling theatrical event…Part debate, theology examination, philosophical discourse, historical retrospective, 'Martin Luther on Trial' is intellectually challenging, a play for the head. The crackling dialogue is rich with sharp observations and cutting wit. The work, by Chris Cragin-Day and Max McLean, has been meticulously researched and the cast of characters reflects this."
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"A serious didactic work, leavened by regular doses of wit, that tackles multiple controversies in the life of the Great Reformer...The courtroom set-up certainly serves to get the competing arguments across. But, under Parva’s usually brisk direction, it can also feel schematic...The play could do with a little more compromise itself since they ultimately overestimate the dramatic power of obscure doctrinal debates...Faith alone cannot make up for such theatrical transgressions."
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"The show's main problem is a side effect of its courage: It opens a door to questioning God's judgment in bringing such a man into Heaven, but then it doesn't quite walk through...When the arguments...get really heated, the play returns to the notion of salvation-just-because and lets Luther slide neatly off its hook...A bout between God and the Great Adversary can be a surprisingly watchable contest. But it loses its fun when you sense the writers throwing the game for the player they favor."
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"The concept is enormously creative, a hyper-intellectual fantasy in the genre of Shaw’s 'Don Juan in Hell.' And it’s very well executed. It’s directed by Michael Parva, who keeps an eloquent tone to the whole thing, a sort of realism within a surreal moment...McTaggart’s performance as Martin Luther is terrific, with a strong and precise internal life...The ideological point of the whole thing is obscured by some overwriting...But 'Martin Luther on Trial' is a unique accomplishment."
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"A dramatic, theological, psychological, hilarious, and well-written back-and-forth clash of documented moments in Luther’s life, supported by flashbacks that build up a timeline that’s easy to follow…The astounding acting combined with the gorgeous set, time period costumes, lighting, and music cues make ‘Martin Luther on Trial’ an unforgettable production of documentary, historical accuracy, and effective self-awareness."
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