New York | 1h 15m | Already closed

Mies Julie

From 23 critic and 96 member reviews
Members say: Great acting, Intense, Absorbing, Thought-provoking, Ambitious

About the show

Classic Stage presents this fierce adaptation of Strindberg’s "Miss Julie," which resets the classic play to a farmhouse in the Karoo of South Africa on the evening of the annual Freedom Day celebration. More…

 When the white Afrikaans landowner’s daughter, Julie, falls for her father’s charismatic Xhosa farm laborer, John, their erotic evening together erupts into a brutal battle fueled by gender, race, power, and ancestral domain.

"Mies Julie" will be performed in repertory with Strindberg's "The Dance of Death."

1h 15m | Already closed | Classic Stage Company (East Village)


90
Theatre Reviews Limited

"Ali’s electrifying staging replaces Strindberg’s celebration of Midsummer’s Eve with the 'restitutions of body and soul' churned up by the Xhosa Freedom Day celebration...Issues of race, gender, power, privilege, and hope cascade across David L. Arsenault’s expansive set and are ultimately consummated on the kitchen farm table set center stage...A play to see: its themes counterpoint the struggles for true freedom that continue to beg for resolution." Full Review

90
Stage Left

“Farber, a celebrated South African playwright and director, translocates the play from 19th century Sweden to South Africa in 2012...This new setting inserts a jolting socio-political milieu into a familiar story, upping the stakes for a modern audience while maintaining the naturalistic edge that makes ‘Miss Julie’ a classic...Ali shapes a highly legible and truthful production with stunning performances...This one is worth seeing.” Full Review

90
Interludes

"Searingly and forcefully acted by her quartet of fearless actors, particularly her lustful pair of young star-crossed lovers. Although the play runs only 75-minutes, I was on the edge of my seat throughout was left breathless by the play’s combustible conclusion." Full Review

88
TheaterScene.net

"I did not catch 'Mies Julie' when it played at St. Ann's Warehouse in Brooklyn in 2012, which is probably just as well: the passions it traffics in are so raw, so violent, that they would be hard to take twice. In the meantime, it should at least be seen once." Full Review

85
Lighting & Sound America

"Benefits from a director with a vivid, gripping vision and a cast willing to burrow deep into dark psychological corners; together, they make a compelling case for plays that often come across as creaky fulminations by a great writer...If Ali's taut direction never slackens across the seventy-five-minute running time, her production also benefits from the steamy pairing of Kibler and James Udom...The best argument in some time for the continuing relevance of his plays." Full Review

85
New York Stage Review

"Farber has found a smart way to spin on 'Miss Julie'...Making the bold transition, she is able not only to stress the sexual politics of the explosive play but introduce a more profound political perspective...Director Ali’s actors are superb...When a playwright decides to fiddle with well-loved plays, it’s often a problem, but here’s a rare example of a truly authoritative spin." Full Review

85
TheaterScene.com

“Farber’s reworking of Strindberg’s ‘Miss Julie’ changes the setting and implications of the classic drama...Ali directs this piece with a knowing hand...There’s some fine—and sizzling--ensemble acting here...The production values underscore the play’s bleak atmosphere and mood...No question that ‘Mies Julie’ is meant for adult audiences. Farber’s reimagining of Strindberg’s 1888 drama about love—and social taboos--will raise the temperature of even the most seasoned theatergoer.” Full Review

85
Theater Life

"In this brilliant and disturbing reimaging of Strindberg’s play, Farber sets the action in 21st century South Africa...Here, the violent romance between Mies Julie, and John reflect the country’s ongoing issues of race and class...Visually arresting, the actors are each incredible looking, and their chemistry is explosive...That director Shariffa Ali achieves both the political and psychological realities with equal force, creates this most effecting production." Full Review

80
BroadwayWorld

“A tense and sizzling production...The setting is moved to the Karoo of South Africa on the 18th Anniversary of Freedom Day...Passions and social politics meet nose to nose...Their rough, but consensual, sexual encounter, staged with striking realism by fight and intimacy directors Alicia Rodis and Claire Warden, carries the same symbolism that the source's author conveyed less graphically in the 19th Century, though with the added layer brought on by the pair's racial divide." Full Review

80
Theatermania

"Udon and Kibler make thrilling stage partners, pushing uncomfortable physical and emotional boundaries to their breaking points under Ali's bold direction. The tragic ending may be as preordained as that in 'The Dance of Death,' but rather than watching in woeful resignation, 'Mies Julie' makes you want to reach onto the stage (like the legendary Vinie Burrows in her ghostly cameo) and change the social architecture that's signed its characters' fates." Full Review

80
Time Out New York

"South African playwright Yaël Farber cleverly uses the template of Strindberg’s 1888 play 'Miss Julie' to explore clashes of class, gender, race and ownership in her homeland...Ali's raw, in-the-round staging...is meant to jar. It leaves nothing to the imagination...Kibler isn't as strong as her costars—her accent is as fickle as her character's emotions—but Julie’s fate is still haunting, as is Farber's insight into what continues to ail their country." Full Review

80
Front Row Center

“Broken dreams, unrequited love, sadness, and tragedy. Chevannes’ performance makes it all worthwhile. Yaël Farber’s adaptation of the classic August Strindberg 'Miss Julie' is both an insightful character portrayal and unrelenting opponent of social mores concomitant to apartheid. It requires a strong cast to sustain 70 minutes of stress and heartache." Full Review

80
Stage and Cinema

"Farber uses Strindberg’s framework to elegantly probe the psychological wounds of post-apartheid South Africa, and the characters don’t pull any punches in their attempts to get under each others’ skin...Adaptation is a tricky art, and the script does occasionally slip into overly obvious statements of its themes. However, for the most part, 'Mies Julie' is able to evoke and heighten the spirit of the original into a forbidding, startling night of theater." Full Review

77
Front Mezz Junkies

"It’s a wise move, slapping down this battleground, not in Sweden, but in the Eastern Cape of South Africa, 2012, on the evening of the annual Freedom Day Celebrations. It’s a solid and thoughtful parallel universe that gives rise to the wild and pained alliance in conflict that is at the core, although the added complexities in their passionate power struggle shoots 'Mies Julie' off in a number of different directions, not always hitting their mark." Full Review

75
Broadway Blog

"Regrettably, the intense performances of these actors (especially Udom) are marred by the occasional unintelligibility of their accents…'Mies Julie' evokes the sultry world of a Tennessee Williams play, with sweat, booze, boredom, and repression colliding in a cocktail of lust…Farber's 75-minute play…adds to Strindberg's focus on male-female power dynamics and class warfare, tensions tied to post-apartheid racial and historical land ownership issues." Full Review

75
The New York Times

"The toxic love that develops between Julie (Elise Kibler) and the black servant John is strangled almost from its inception by societal sins past. That perspective is heightened by the performance of Kibler, who looks defenselessly young and unformed...Julie’s passivity shifts the emphasis from the play’s title character to John and his mother, Christine. They are both excellent...The sense of a world in which everyone is terminally rootless comes across with haunting acuteness." Full Review

75
Theater Pizzazz

"The buildup to the play’s final shocking moments is an incredibly intense dance of death...Farber’s play is more about ideas than what takes place on that much-stronger-than-it-looks kitchen table...Ali is adept at handling this aspect of Farber’s script, taking full advantage of the scorched-earth naturalism...Ali struggles, though, with Farber’s spiritualism...Fortunately, the crew’s collective talents are put to much better use heightening Julie and John’s passionate exchanges." Full Review

70
Times Square Chronicles

“Farber’s version of ‘Mies Julie’ and McPherson’s take on ‘The Dance of Death,’ are running in rep...Farber’s ‘Mies Julie’ is less successful...Without ever being political 'Mies Julie' has become a rebellion of the present-day political situation in South Africa. Where before it was about class and the haves and have nots...Though this production says a lot and has masterful performances, it’s not what the original playwright had to say.” Full Review

70
The Wall Street Journal

"Directed by Shariffa Ali with stingingly harsh vigor and acted with like impact...While Ms. Ali’s staging is strong enough to give pleasure in its own right, I’m not sure why Classic Stage has opted to produce a modern commentary on a 19th-century classic that so few of its viewers will know save by reputation...The audience would have been better served had the producers stuck to Strindberg." Full Review

70
New York Magazine / Vulture

"Kibler and Udom’s piercing performances make 'Mies Julie' resonate, but director Shariffa Ali never quite drives the heady electricity and malicious, unresolvable hurt of the story home...The strength of this 'Mies Julie' lies in Kibler and Udom’s chemistry and in their ability to keep finding the contradictions in the characters. Strindberg’s plays were always more human and complex than his analyses of his own writing." Full Review

70
New York Stage Review

"In Farber’s adaptation of Strindberg’s work, the place and time of the drama has been transposed from 1880s Sweden to 2012 South Africa and its dynamic changed into a symbolic power struggle between white and black people within the nation’s post-apartheid society...Purists will not be pleased by Farber’s significant retooling of a classic, yet there’s no denying how effectively the director, Shariffa Ali, cranks up the psychosexual heat...It succeeds as a forceful drama in its own right." Full Review

65
CurtainUp

"This play that once passionately and obsessively tested the social and sexual barriers between the haves and the have nots has remarkably never surrendered the impact of its psycho-sexual dilemma...Farber's text is excellent and eminently reflective of its characters...Neither Kibler's neurotically obsessed Julie or Udom's misguidedly adventurous Jean are able to counter the feeling that their nocturnal tryst is hardly more than a game turned deadly." Full Review

60
The Wrap

"'Mies Julie' makes a strong case for Strindberg’s enduring relevance — despite a tragically uneven production under Shariffa Ali’s direction...One shortcoming of Farber’s 75-minute, intermissionless staging is that doesn’t allow either the cast or theatergoers a break to absorb the shifting power dynamics between the central couple...But her approach breathes new life into a story whose conflicts and power dynamics can seem anachronistic and even dated." Full Review


100
Great acting, Great staging, Riveting, Must see, Absorbing

See it if You love great acting of a well-written piece

Don't see it if You’re not interested in the catharsis that comes with a great drama

90
Intense, Thought-provoking, Intelligent, Great acting, Absorbing

See it if You are open to a play that is intense and explores racial divides in a sexual atmosphere

Don't see it if You are offended by displays of sexual content and interracial tensions

85
Disturbing, Erotic, Haunting, Intense, Great acting

See it if Muscular resentful black servant seduced by bored white farm daughter. Violent sexuality, class conflict, & ancestors who haunt the land.

Don't see it if You don't want to be confronted by intensely sexual and violent scenes, and a hopeless no-win situation. Difficult accents.

79
Absorbing, Great acting, Ambitious, Thought-provoking, Riveting

See it if For serious, moving, disturbing emotionally challenging but creative well acted theater. Taking chances with the old to get to the new.

Don't see it if If your squeamish about real life on stage (sex and death are to be seen)

79
Absorbing, Thought-provoking, Great acting, Intelligent, Intense

See it if Strindberg's play reset to 21st century post-apartheid South Africa with the lasting effects of the previous injustices. Landowner's*

Don't see it if don't want graphic sexual & violent scenes; accents that are very hard to understand**

Also *daughter's relationship to black farmhand... Read more Read less

79
Ambitious, Powerful, Intense, Slow

See it if to see Strindberg's 19th C Swedish play on class & power reset in 21st C South Africa, where colonialism & race clash to an erotic crescendo

Don't see it if you're a Strindberg purist; you're embarrassed by frank & sometimes violent sexual situations; you're uncomfortable w/theatre-in-the-round.

Also Although essentially true to Strindberg's plot, this is very much a Ya... Read more Read less

77
Ambitious, Intense, Slow, Thought-provoking, Resonant

See it if Farber's racial overlay on Strindberg's drama of class constraints makes for a combustible evening Ali's circular staging adds a caged heat

Don't see it if Kibler's Julie is a little to Lolita-esque for this impassioned production (she's got the privilege right) Udom & Chevannes are excellent

74
Slow

See it if Neither Strindberg nor Fugard. Useful to know some South African history. Polemics.Patrice Johnson Chevannes is great. Good not very good.

Don't see it if You don't want to deal with some strong South African accents

73
Great acting, Edgy, Intense, Raunchy, Thought-provoking

See it if you appreciate good acting & don't mind a version that changes the time & place significantly, with accents that are often incomprehensible.

Don't see it if you will be embarrassed by extremely explicit onstage sex .

71
Intelligent, Great acting, Ambitious

See it if A new take on a classic interests you

Don't see it if You are not familiar with the original play. It might be confusing and annoying.

65
Ambitious, Disappointing, Misguided, Interesting

See it if you want see an interesting adaptation of the original in a production that lacks the tension and psychological intensity of the original.

Don't see it if you expect new insights into power, dominance, and sexual attraction. The problem seems to be more the production than the play.

100
Absorbing, Great acting, Edgy, Masterful, Intense

See it if you don’t shy away from difficult subject matter. The staging keeps you involved - you’re more witness than audience.

Don't see it if You shy away from intense sex scenes depicted realistically. Lots of difficult subject matter...

100
During previews
Compelling, thought provoking, outstanding

See it if a challenging aggressive drama. I was very much moved by this production.

Don't see it if if you find it difficult to understand accents

Also Really go see it.

100
During previews
Absorbing, Exquisite, Great acting, Great staging, Masterful

See it if you want to experience a top-notch contemporary adaptation that mirrors the intensity Strindberg's play must have been received with in 1888

Don't see it if you don't want your nerves punctured.

100
During previews
Great acting, Great staging, Intense, Relevant, Thought-provoking

See it if you are ok with theatre being an uncomfortable experience. You enjoy the contrast of power between race and gender.

Don't see it if you want fluff. You are uncomfortable with sex and violence

Also This heartbreaking play forces you to throw out what you think you kno... Read more Read less

95
During previews
Great acting, Resonant, Thought-provoking, Riveting

See it if you appreciate intelligent rewrites of classics and powerful acting. Amazing job, truly

Don't see it if you think that classics should not be touched

95
During previews
Great acting, Great staging, Masterful, Riveting, Absorbing

See it if You want to see a show and acting presented from the absolute core of human emotion and instinct.

Don't see it if You have trouble keeping up with thick accents.

93
During previews
Great acting, Excellent adaptation, Great direction, Resonant, Profound

See it if You like an excellent adaptation that still maintains the quality of the original but through a new and refreshing lens.

Don't see it if You are not open to new interpretation of a classic, have difficulty with accents, are not open to fresh and new directors or actors.

Also Miss Julie is part of the fabric of modern theater. I was impressed by... Read more Read less

93
During previews
Great acting, Intense, Riveting

See it if You want to see a classic drama, powerfully reinterpeted to a South African setting.

Don't see it if You can't handle the heat in this kitchen.

93
During previews
Absorbing, Great acting, Great staging, Must see

See it if Two leads are super "In the Round" is my kind of show, Moving Sweden to Souh Africa post apartheid) is a super move. Lighting spectacular

Don't see it if Some bold sexual presentations. Accents take time to adjust to. Confused re: reason for no playbills yet stlll so much publicity printing.

92
During previews
Absorbing, Great acting, Great staging, Masterful, Powerful

See it if You enjoy drama that makes you think, makes you uncomfortable, challenges you, and is a masterful retelling of an already masterful play.

Don't see it if this is not a light airy play. But you should see it anyway.

Also This play was so wonderfully crafted and its transplantation into Afri... Read more Read less

91
During previews
Absorbing, Great acting, Great writing, Masterful, Resonant

See it if You love timeless theater, updated to a different time.

Don't see it if You can't handle sex scenes in plays.

90
During previews
Absorbing, Great acting, Great staging, Great writing, Riveting

See it if adaptation of Strindberg play reset into apartheid South Africa pushes against issues of race, class, gender, entitlement, love and hate.

Don't see it if this adaptation revolves around race, class and sex. there are disturbing scenes of sex and violence.

90
During previews
Absorbing, Intense, Romantic, Thought-provoking, Must see

See it if You want to see a classic play wt new adaptation, extremely vulgar language at times makes you shake to your core, strong visual sex scenes

Don't see it if You are not into stories that deal with interracial relation, slavery, racism, class warfare. Also nudity or profanity troubles you.

90
During previews
S african adaptation, Great writing, Intelligent, Relevant, Resonant

See it if This, updated to post Apartheid S. Africa, works. The set up easily lends itself to the dynamic. Everything works, & it is riveting.

Don't see it if If u want your Miss Julie played as originally written, would dislike it updated or adapted to black/white, r sexually squeamish, stay away.


Cast & Creatives (13)