Once a Year on Blackpool Sands
Once a Year on Blackpool Sands
65

Once a Year on Blackpool Sands NYC Reviews and Tickets

65%
(18 Reviews)
Positive
50%
Mixed
39%
Negative
11%
Members say
Slow, Relevant, Disappointing, Ambitious, Thought-provoking

About the Show

The lives of these six ordinary working class people will be changed forever this one night in Blackpool in the summer of 1953. A story about acceptance, being true to who you are and the fight to love who you wish to love.

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Member Reviews (18)

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50
Cliched, Dated, Excruciating

See it if If your intrested in gay History in England. If you like British plays.

Don't see it if Badly directed plays where cast is barely audible. Bad sight lines for a tiny space.

62
Ambitious, Slow, Thought-provoking, Disappointing, Cliched

See it if you're curious about early LGBT history in England & the summer "walk" at Blackpool Sands, want to see a show from Britain with English cast

Don't see it if don't like single room set for many rooms, lengthy blackouts without music, anachronistic references, varying acting styles or tidy endings

Critic Reviews (6)

BritishTheatre.com
June 16th, 2018
For a previous production

“A play that explores the deeply closeted lives of gay and transvestite men who seek refuge from their everyday lives. Whilst this is laudable, Parris’s play feels like three plays mashed into one...The first half is a mess, but in the second act some stronger storytelling begins to emerge...What the Americans will make of such a parochial play I can’t imagine, but there are several things that can be dealt with now to improve the production."
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M
July 20th, 2018
For a previous production

"An uneven play; perhaps writer and director Karlton Parris has been inspired by the seaside setting to offset the drama with saucy humour...The gags are good but the routine goes on so long that the end of Act One is reached before the theme of the play has become clear. More significantly, the humour and the drama do not blend well together...Not a subtle play; the characters do not converse but rather make lengthy speeches at each other.”
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Attitude (UK)
July 12th, 2018
For a previous production

“The basic premise of the play has a lot of comedic potential and much of it is realized...There is some difficulty of tone between the two parts of the play, and this becomes more apparent in the second half...But overall, Parry’s script convinces. The direction was a bit cumbersome, allowing the pace to drift and as series of scenes to be played with the same mood and tone repeatedly, but the strong central performances carry it...Funny, surprisingly political and full of revelations."
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T
June 18th, 2018
For a previous production

"Although shrill at times, the play tries to stay realistic in its depiction of life in the fifties, staying away from nostalgia and portraying both the mental and societal oppression the LGBT community had to endure...The play shines through its acting...Although Parris’ script is certainly a strong point, there are times where slapstick seems to overtake the normally remarkable balance between comedy and serious exploration...Nevertheless, 'Once a Year...' is very good entertainment."
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C
June 22nd, 2018
For a previous production

“A queer tragicomedy that skilfully straddles the divide between the two genres...Parris’s script mixes Carry On farce with dramatic realism, a juxtaposition that cuts through the nostalgia and reminds us that the golden age of bawdy innuendo was also the time when gay men were routinely brutalized...Anyone would do well to seize the opportunity to see it while they can."
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Canal-Street Online
July 23rd, 2018
For a previous production

“Craftily constructed play, with several interwoven strands that come together, ultimately uniting all the characters in a show of defiance against the social mores of the day...Part comedy, part love story, with a serious end and based on a true story. All six characters are excellently portrayed...A powerful ending with people throwing things and spitting at them...At the end the audience were on their feet and the ovation was justified.”
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