See it if About Ghost, Trauma, Healing, with a lot twists and turns.
Don't see it if you want to be scared,(it light) or dislike loud noise or do not like ghost stories.
See it if Are interested in ghosts, Pan Asian shows this for you.Great writing & plot & special effects. The cast is superb. Riveting
Don't see it if Don't like ghosts, spirits and the paranormal
See it if For people who want to be entertained, thrilled & excited by unusual plays that deal with paranormal phenomena & human psyche. Funny. Moving
Don't see it if U hate fun. U have no humor. U judge smaller budget plays by snobbish Broadway standards or by phony supercilious pro theater critic’s view. Read more
See it if you enjoy clever theater that is thought provoking, surprising and entertaining. You care more about psychology than about horror
Don't see it if you are sensitive to death / ghosts. If scary special effects are anxiety triggering for you
See it if you like to see an original story partly about paranormal activities, partly about humans feeling displaced from their country or home town.
Don't see it if if you can't handle sudden loud noises or light flashes or if you don't like anything related to paranormal. Read more
See it if Pan Asian is a winner,, A new surprise every few minutes Clever use of a small set. Lighting special. Theater row sprucing up.
Don't see it if Not a large scale production.. No dancing and singing.
See it if You want to see a truly original work about the immigrant experience and displaced Americans. First Thai American play I’ve seen.
Don't see it if You’re expecting just a ghost story. It’s much more than that but it’s better to see it without knowing the plot.
See it if you like drama/psycological/ suspense thriller/horror/ & some humor rolled into one...in an unpredictable plot full of surprises. Well done!
Don't see it if you want elaborate stage/big cast/ light musicals. Though venue is small & set is minimal, they worked well w/ great sounds & lighting FX !
“Produced for the Pan Asian Repertory Theatre, Gomolvilas’s clever, multilayered play is gratifyingly subtle in its inquiry into migration—the pain of crossing over for the living and the dead alike. Liu’s direction shifts deftly among registers: comedy, melancholy, suspense, and several genuine scares, achieved with the help of some smart lo-fi effects but especially through the performances. Hirano plays an alarmingly agile ghost.”
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"Part ghost story, part family drama, this new play by Prince Gomolvilas mixes scary tactics with heartfelt emotions...Weaving the spiritual world with mental well-being, 'The Brothers Paranormal' will have you guessing what is real and what isn't until the very end. It makes for an entertaining ride but one that will also resonate with anyone who has experienced the loss of a loved one."
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"Gomolvilas’ gripping thriller 'The Brothers Paranormal' which crackles with tension from start to finish...Gomolvilas’ horror film-style scenario has been imaginatively conceived for the stage by solid short scenes, smoothly imparted exposition, and humane characters that are all minutely detailed...Gomolvilas’ tremendous command of dramatic writing is matched by the entrancing and frequently scary production...It’s a fascinating, spellbinding, and heartbreaking experience."
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"Troupe and Coats, the strongest actors in the piece give a grounded, pragmatic strength and wryness to characters who could easily seem a little too long-suffering...Max is a hard character...requires a complexity in both acting and staging that Kridakorn and director Jeff Liu never quite seem to get a confident handle on...Kridakorn hits the right tone when playing Max as a desperate striver...The design elements don’t help with the tone, either."
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"A conventional ghost story blended into a chunky, hard-to-swallow smoothie with too many disparate ingredients…Over the course of two, overly long hours, a few scenes provide the kind of superficial thrills we're more used to in horror movies than in theatre…When the characters are left to themselves, without the spectral intrusions, things can be dull and talky, with mostly colorless, ploddingly-paced direction and inconsistent performances (and Thai accents) from the cast."
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"Despite a few minor glitches, I can definitely say yes. I was scared. But also moved...What makes this play special is its ability to constantly surprise us with unexpected twists and turns...It makes us feel the characters humanity. Most horror films go in for the shock value alone. This one goes a step further, allowing us to feel for three-dimensional characters. This show will intrigue and shock you simultaneously, but yet, fascinatingly, you somehow leave with a sense of hope."
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"Jeff Liu’s direction is an adroit reading of the play’s pulse, which takes its quiet, deliberative time in building to heart-racing moments but never fails to speed back up fluidly and convincingly when necessary. And the cast ably, believably, skips through the roving genres—and various, plasmatic possibilities."
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