The Hours NYC Reviews and Tickets
Member Reviews (23)
See it if Great fast paced and multifaceted story. Great twists. Superb performances.
Don't see it if you don't appreciate atonal music.
See it if You are a fan of the film or stories with women at the forefront. All 3 of them give incredible performances.
Don't see it if Even if you aren't a fan of opera this show is pretty palatable for novice opera-goers. However the music is not very melodic or memorable.
See it if three great divas sharing a stage, a complex story told cogently through 3 time periods, rich music, wonderful staging, great set
Don't see it if you're not familiar with Virginia Woolf, Mrs. Dalloway or the book The Hours, you feel nothing will compare to the film
See it if you want to see a masterful performance with 3 singing actresses with a great script and wonderful staging. Very ambitious and moving.
Don't see it if you like operas with arias you can hum or if you like happy stories. Many of the characters are depressed. Suicide is a subject in the plot. Read more
See it if You want to see three divas on stage together. Interesting story based on Virgina Woolf writing Mrs Dalloway. All sung dialogue, unusual.
Don't see it if You want an opera with songs, with orchestrations of memorable music…this is not it. Adapted from the movie The Hours. Strange choreography Read more
See it if Three Divas with strong support cast.
Don't see it if Modern composition.
See it if you're into lyrically soaring and emotional music, penetrating choral singing and great dancing, supporting a complex operatic narrative.
Don't see it if you find it hard to follow what's going on when there're many things happening on stage simultaneously, with overlapping times & characters.
See it if you are interested in well written and superbly sung/acted new opera The staging is interesting but the dancers are distracting
Don't see it if you are unable to watch works having to do with mental illness and suicide
Critic Reviews (7)
"Every scene in the opera eventually gets to the same place musically and dramatically, whipped into soaring emotion. The tear-jerking gets tiring."
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" Far from being a spinoff of a spinoff, Kevin Puts’s The Hours mixes musical freshness and venerable traditions in a fine and moving music drama."
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"Most of the opera’s action scenes revolve around Clarissa, and their lack of musical momentum reveals the opera’s principal flaw: It has well-crafted episodes and deft, imaginative transitions, but the story arc is carried by the libretto rather than the music."
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"At the end of “The Hours,” you will find yourself energized by Puts’s splendid shape-shifting score, or the triple threat of its leads, or the richness of this multilayered narrative."
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" 'The Hours is by no means an evening of light entertainment...if you can make it to the end, you hear a remarkable trio, when the three women finally come together in a musical room of their own. Sorrow has never sounded more beautiful."
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"The new opera 'The Hours' is wonderful in the most old-fashioned kind of way. Not only has it been written for a diva, the show is about a diva – and in this case, three of them."
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"Phelim McDermott’s production is brilliant in how it takes the libretto’s structure, Puts’ musical interpretation, and then layers it with a similarly vast theatrical palette. ... You can add 'The Hours' to the list of must-see operas this season."
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