"The play bops from one shockaroo to the next, indicting religion, politics and the patriarchy, when it’s not busy with the blood packs. Sometimes the staging is too much but typically it’s stylish and spry...Because if the play is incontrovertibly over-the-top, decadent and then some, it has its own complexities...Nihilism can leave a bitter taste in your mouth, but Webster is such fun to bite into, an invitation to revel in people at their very worst, to taste depravity."
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"Undeniably entertaining but insufficiently outrageous revival...Proske's staging deploys multiple blood packets, but it still feels sparing. The fight direction by Rick and Christian Kelly-Sordelet is sufficient, but not as jaw-droppingly inventive as it could be...Yana Birÿkova's video design is super cheesy, often inducing laughs with its cheap horror-film aesthetic. It made me wonder if 'The White Devil' might work better as a movie."
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“This production is good enough to make one wish it were just a little bit better...The best thing about Proske's production is that it lays out Webster's labyrinthine plot with crystal clarity...But Proske has been unable to settle on a prevailing tone...It is surprisingly lacking in a mordant point of view...’The White Devil’ is surely a play with much to say to us today, but it requires more overall discipline and a coherent vision if it is to work to full effect.”
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“This is the kind of play where the plot has no importance, its role is to be at the service of scenes where dark comedy and tragedy become unlikely dance partners...Through the use of modern elements, larger than life performances, and a pace that rivals any action series on Netflix, this production feels like the kind of adaptation that would have Webster himself wanting to sit in the front row, smiling in anticipation of getting splashed by the fake blood."
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"A smashing new staging...Anyone who enjoys a furious mix of sex, violence, murder, and generally nasty behavior by corrupt elites in high places is likely to get a kick out of 'White Devil,' especially when such dirty doings are performed so stylishly as Red Bull’s rendition...Inventively staged with modern accouterments by director Louisa Proske, who does it all up swiftly and smartly...The actors easily glide over its seismic changes. They also speak the play’s florid language naturally and clearly."
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“Red Bull Theater, is putting on a neatly modernized and fiercely acted account of ‘The White Devil’...The cast is outstanding, making a strong case for the tragedy...I’d call the piece Renaissance pulp if it didn’t come with such a rarefied literary pedigree...While it steals shamelessly from ‘Hamlet’, no one would call ‘The White Devil’ as brilliant as Shakespeare. Still, more laughs than ‘Titus Andronicus’? Maybe so.”
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"Director Louisa Proske keeps the action moving swiftly, with generally logical tweaks to the script and a relentless focus on the play's bloody center...But as the play continues, its cynical amorality and celebration of death and bloodshed begins to wear...But as this excellent production proves, even an inferior play can create superior engagement, If 'Game of Thrones' is your kind of series, you'll find a lot to like about the Red Bull Theater Company's 'White Devil.'"
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"Webster's Jacobean revenge play, 'The White Devil,' has been given a juicy, vigorous modern dress production by Red Bull, which specializes in Elizabethan and post-Shakespearean dramas. While not as great as Webster's 'The Duchess of Malfi,' this second-rung tragedy from 1612 has been directed by Louisa Proske with live video and contemporary trappings in a style that is always riveting, always engrossing, particularly notable for a play that will be unfamiliar to most."
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