"There’s a little dust on the dialogue in 'Leah, the Forsaken,' but a rare revival by the Metropolitan Playhouse shines up this 1862 play just fine...Augustin Daly, the playwright, was generous with the melodrama...But Daly threw in a few ideas about tolerance, too, raising this story a notch above other stage works of his era...'Leah, the Forsaken' won’t be mistaken for a long-lost classic. But it is a thought-provoking discovery, presented by a first-rate troupe."
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"The direction, performances, and design elements combine for a most impressive and cohesive production in service to the company's mission of exploring seldom-seen plays from the past...It is not difficult to understand why 'Leah, the Forsaken' was a popular hit in its time...This production is a real winner for the Metropolitan Playhouse. The performances and creative elements come together in a harmonious collaboration."
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"'Leah, the Forsaken'—written by an important playwright in the last half of the nineteenth century who contributed 100 scripts to the American theater including the now-classic 'Under the Gaslight'—is of historic value. However, in the fraught times we live in, the outcome of the play does little to convince that tolerance against bigotry is needed. Ironically, this may be the most accomplished production yet produced on the stage of Metropolitan Playhouse."
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"It's extremely melodramatic, even for its time...For a modern audience this is all a bit difficult to swallow. Nevertheless, the cast does a commendable job with the overwrought language and extravagant action…Despite all these efforts, there are times when the play limps along under its own weight. No doubt 'Leah, the Forsaken' was chosen for its historic value. Nevertheless, some discreet editing would have gone a long way to making this play more contemporary and approachable."
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