Tannis Kowalchuk embodies the Bard's wife, Anne Hathaway, in this wry, moving, solo musical tribute. More…
Performed with dynamic theatricality and live music, NACL's production of Vern Thiessen's epic monologue delves into a complex female experience of 16th century life while drawing contemporary parallels to modern love, children, work, and loss.
"Vibrant solo piece, performed with flair, sensitivity, and heart by Tannis Kowalchuk. She presents the traditionally ambiguous character of Anne Hathaway as a strong woman brimming with passion, intelligence, and mirth...Kowalchuk comes across as amiable and entertaining...She's empathetic and human...She's winning...'Shakespeare's Will' is imaginative, tender, and rather mesmerizing." Full Review
"Performing a one-person show is a mighty feat, and Tannis Kowalchuk is more than up to the challenge. She somehow manages to sing and speak her way through the show with no signs of slowing down, even with the considerable amount of passion she brings. Instead of Anne being portrayed as the perfect lady with no emotion, we see Anne stating her own opinions, just as any strong woman would do." Full Review
"As played by NACL performer, the charming Tannis Kowalchuk, Anne is a warm and loving presence...Over the course of the hour Kowalchuk fully immerses herself into the contradiction that is Anne Hathaway...Under the watchful direction of Mimi McGurl, and accompanied by multi-instrumentalist Rima Fand, Kowalchuk uses all sorts of movement, song, and poetic language to play the multiple characters who inhabit this tale." Full Review
"Kowalchuk presents 'her' Anne as an independent full-bodied sensual woman...While the ear at times is jarred with some anachronisms, her performance slides over these with her delightful sense of ironic humor....I wish McGurl’s choreographic direction would trust audience attention more by giving Anne some longer moments of repose where the text warrants. The performance presents an enjoyable thought experiment about the life of the underexposed companion to Shakespeare." Full Review
"Where Thiessen errs is in blending a feminist portrait of Hathaway with the hard-boiled historical facts known about her and her celebrated husband. At times it gives you the feeling that you are watching two plays concurrently...What emerges is a solo show that gives you a modern, and generous-minded, perspective on Anne Hathaway...'Shakespeare's Will' isn't altogether a persuasive portrait of Hathaway. But it does give a voice to the Bard's often forgotten wife." Full Review
"Vern Thiessen certainly takes liberties in his play 'Shakespeare’s Will'...Kowalchuk shows her considerable range as an actor, and commands our attention from beginning to end...Yet for all of Kowalchuk’s skill, very little can be done to mask the script’s inherit shortcomings...Even the reasoning as to why Hathaway puts off reading the will is shaky at best...Kowalchuk’s performance is notable, but not even her best moments can fix a play that falls so frustratingly flat." Full Review
"What is lamentable is the lack of conflict. Most of the time, 'Shakespeare's Will' is a quasi-poetic account of a woman running her household while her absent spouse courts fame and fortune. With its relentless focus on the quotidian and Anne's penchant for bursting into bits of song, it seems determined to position her as a kind of Elizabethan Emily Dickinson, but without the poetry...It's hard not to feel that 'Shakespeare's Will' focuses on the duller half of this storied marriage." Full Review
"Thiessen throws many of the documented facts about Hathaway out the window, apparently in service to using Anne as a springboard. For what? Unfortunately, for his own exploration of the journey of a woman who faces adversity, rises above it, and rekindles a zest for life in herself. Oh, yawn…The inconsistencies, the flavorless quality of the performance, the basic premise, the odd musical accompaniment: all add up to a New Age-y feminist statement that just doesn’t work." Full Review
"Worth a see. It is a quick, sprightly swim into the meaning of marriage, the oppressive nature of this institution, and the insurmountable pressure women are placed in to be superhuman mothers making up for absentee fathers. As Kowalchuk’s Hathaway cries, dreams, screams, and loves, you want to protect the soul of a woman you never met, but feel you know through the hearts of every modern woman balancing her ambitions versus stigmas that she should solely cater to wants of men." Full Review
See it if You enjoy engaging one-women shows that entertain and enlighten.
Don't see it if If you don't enjoy one-person's show or have no interest in the life of William Shakespeare and his family.
See it if You are a fan of Shakespeare and are interested in his life with his family and wife. You enjoy a show with a historical background.
Don't see it if You are not a fan of one person shows. Although I am not usually a fan of monologues I thoroughly enjoyed this one !
See it if you would like a feminist, alternative take on the life of Shakespeare's wife. Clever and engaging.
Don't see it if you want total authenticity or want a naturalistic performance. This is very stylized.
See it if What if this happened with Anne Hathaway & Will, & that pesky Will that Will wrote intrigue you as possibilities for a one woman play +music
Don't see it if not interested in Shakespeare possibiliana, one person shows, Anne Hathaway, listening, imagining or appreciating
See it if Tannis Kowalchuk is excellent as Anne Hathaway. Although historical fiction it is interesting to get a peek at her life.
Don't see it if Do not go if you do not enjoy solo shows or do not have any interest in Shakespeare’s life.
See it if To know some fact about William Shakespeare and his wife Anne Hathaway. Good acting ,lighting and direction. 65 minutes no intermission.
Don't see it if If you don't like a historical play with some singing and music. Has a little feminist tone to it.
See it if You are interested in Shakespearean history and seeing an attempt fleshing out the puzzle that is Anne Hathaway.
Don't see it if You are a strict historian (I don't know where they get the evidence that his son died of drowning.)
See it if you like solo shows (with music & quirky staging) that pretend to be based on an Elizabethan Era writer. [See "more to say" section.]
Don't see it if you're a person who values history, facts, accuracy -- or if you know a lot about Shakespeare & find biographical errors very annoying
See it if Solo actress + musician enliven a fictional history. Peasant life, non-traditional marriage, plague, and sexism in 1580. Touching music.
Don't see it if Held my interest but a bit mundane. Not as compelling as some of the real autobios I’ve attended. Wife a saint, Shakespeare an a-hole.
See it if you like discovering 13 year old plays and thinking about why they were written then
Don't see it if you’re tired of domestic complaints; plays revived too early or without enough reworking to have the same impact today
See it if You want to see a good actress and musician do their best with a difficult script and childrens theatre-style direction.
Don't see it if You already know about Shakespeare's life. This play blends poetic license into some facts.
See it if You’re up for a perky, mostly house-bound Mrs Shakespeare clumsily transitioning into other equally unconvincing characters and voices.
Don't see it if You expect to learn much about Anne Hathaway or dislike sitting through almost embarrassing self-indulgent solos, however well-meaning.
See it if you like Shakespeare and a clever look at his private life; intimate shows with music and great acting.
Don't see it if you want a big musicals or small plays that make you think.
See it if imaginative, well crafted and engaging derived theater could interest you. Well acted and written, this piece will entertain and enlighten.
Don't see it if Shakespeare derived theater sounds like homework. This show is conjecture and theatrical; it is not a documentary.
See it if You enjoy an intelligent script performed by a wonderful actress about the greatest writer of all times. Well worth seeing.
Don't see it if You typically go to see plays with dull and common language.
See it if You appreciate a creative hypothesis as to what life was like for Shakespeare’s wife, Anne Hathaway.
Don't see it if You don’t like one-person, intimate pieces without a lot of bells and whistles.
See it if you like realism in an intimate setting performed by an incredibly talented actress accompanied by an equally talented musician.
Don't see it if Shakespeare and his time period make you cringe.
See it if you appreciate a moving, beautifully written one-person performance about a non-traditional marriage. Wonderful music too!
Don't see it if Your interest in the play is mainly about the historical accuracy of the events. Much of this is likely not factual.
See it if you've ever wondered about the woman Shakespeare left behind in Stratford when he went to London to make history.
Don't see it if solo shows or history plays are not your thing, or you cringe at the idea of the standard version of the Bard’s life being tampered with.
See it if A great solo actor and hold your attention for 65 minuets. You could imagine what’s like being Bard’s wife during the time. Music was great.
Don't see it if You are not interested in one-person show or about Shakespeare’s private life.
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