Sisters' Follies: Between Two Worlds
Closed 1h 30m
Sisters' Follies: Between Two Worlds

Sisters' Follies: Between Two Worlds NYC Reviews and Tickets

(2 Ratings)
Members say
Delightful, Funny, Absorbing, Ambitious, Clever

About the Show

Abrons Art Center presents the world premiere of this puppet ghost story from puppet maestro Basil Twist and downtown icons Joey Arias and Julie Atlas Muz.

Read more Show less

Show-Score Member Reviews (2)

Sort by:
  • Default
  • Standing in our community
  • Highest first
  • Lowest first
  • Newest first
  • Oldest first
  • Only positive
  • Only negative
  • Only mixed
13 Reviews | 13 Followers
Delightful, Enchanting, Entertaining, Funny, Ambitious

See it if you enjoy campy fun with icons of the downtown, burlesque scene and puppetry.

Don't see it if you don't like campy.

1 Review | 0 Followers
Absorbing, Clever, Delightful, Great staging

See it if You love to see magic happen live on stage

Don't see it if You don't have a sense of humor & adventure

Critic Reviews (10)

The New York Times
October 7th, 2015

"Much of the time between glorious-looking set pieces is filled by Alice and Irene, talking at, and often over, each other in an eternity of squabbling dialogue. They also have at each other with fingernails, anvils and hammers like a spectral, female-impersonating Tom and Jerry. These slapstick interludes go on for too long; their timing still needs to be sharpened. Nonetheless, fans of Mr. Twist’s singular art will doubtless want to see how he fills the great divide between the living and the dead."
Read more

Time Out New York
October 7th, 2015

"The follies of this imaginative but muddled pageant, alas, are more numerous...The Abrons deserves to be celebrated, and Twist has devoted significant imagination toward doing so. With all the magic in evidence here, couldn’t someone have conjured up a script?"
Read more

Lighting & Sound America
October 8th, 2015

"There's nothing wrong with Abrons Art Center paying tribute to its own longevity, but surely there was a better way than this. Surely Alice and Irene would be thrilled to be remembered decades after their deaths, but it's easy to imagine them rolling in their graves over this hodgepodge of songs, puppetry, and low-camp gags. If I were involved in Sisters' Follies, I'd tread carefully when inside the theatre, for fear that the Lewisohns might swoop down on them, seeking revenge."
Read more

Theatre is Easy
October 12th, 2015

"Inspired by the 100th anniversary of an avant-garde playhouse, 'Sisters' Follies' is a magical production that conjures various theatrical elements and alchemizes them into an experience of pure delight...Every ingredient of this rich production enlivens the storytelling and contributes to what makes this 'spooktacular' kinda spectacular."
Read more

Exeunt Magazine
October 10th, 2015

"I loved all the allusions to theatre history and especially New York theatre history. It’s nice that they tied in all that but still made it feel inclusive if you didn’t know it. It displays a generosity of spirit to not make it too closed: we’re putting on a giant party, and if you gate-crash it, you can still enjoy the drinks. You’ll have a great time."
Read more

New York Theater
October 7th, 2015

"'Sisters’ Follies: Between Two Worlds' is visually spectacular making full use of Twist’s inspired craftsmanship and that of his design team. But it is otherwise oddly awful, and awfully odd; such an eccentric way to celebrate the Abrons legacy that it feels like a deliberate self-parody."
Read more

October 11th, 2015

"The best thing about this loosey goosey production are the visuals. Twist once again proves that anything and everything can be amusingly brought to life without the interference of reality...It’s incredible that a production with an enormous and enormously skilled technical staff opens with such poor sound design that we lose most of the lyrics and some of the dialogue."
Read more

Village Voice
October 13th, 2015

"The piece has its longeurs; the sibling backchat between sequences isn't nearly as enjoyable as the big production numbers it introduces. But throughout, yesterday's experiments and today's experimenters merrily coexist, reminding us that the quest for new forms is a venerable NYC tradition."
Read more