See it if you like Churchill's short plays and/or don't mind plays without a sensible resolution to the plot.
Don't see it if you prefer plays that have an ending. Read more
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Polly Findlay brilliantly reimagines Caryl Churchill’s cloning play as a kitchen sink drama, powered by a phenomenal performance from Roger Allam... it’s devastating because it feels so familiar.'
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Fine performances by Roger Allam and Colin Morgan galvanise this short, sharp meditation on cloning and identity by Caryl Churchill...This is the nature versus nurture debate minted anew.'
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Within a few minutes of stage-time, Churchill has spawned a human-interest drama of the highest order...This is a short, crunchy evening but the head-spinning stuff of lingering nightmares.'
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Some of the effects veer to hammy, especially the garishly melancholic piano interludes. As a whole, the play retains its power to provoke, but builds a suspense that is more cerebral than visceral.'
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...frustrating that Churchill takes so long to say, ultimately, very little. As an exercise in pure stage technique, A Number has some appeal: drama students should go along with notebooks at the ready.'
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Director Polly Findlay's meticulous and moving production fills the large space of the Bridge... The play remains startling and, for me, even more relevant than when I first saw it at the Royal Court in 2002...'
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Polly Findlay's take on A Number, a troubling hour-long inquisition about the nature of family and the possibilities of modern science...a fine and superbly acted rethinking of a provocative and powerful play.'
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A dream team dazzles anew. Roger Allam and Colin Morgan refashion Caryl Churchill's contemporary classic... Anyone expecting an exercise in theatrical penance should prepare for no small share of laughs.'
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