See it if you applaud inventive directing and brilliant acting. Fascinating play that explores the complex Johann Sebastian Bach and his relationships
Don't see it if you're not very cultured and have no affection for the complex mind of a genius.
See it if you like a good story about a real person, but don't mind it being slightly fictitionalised and not 100% true (or you like Bach).
Don't see it if you like fast-paced plays or you're a stickler for absolute accuracy in a biopic. Read more
See it if You enjoy classical music and want to see a dramatic retelling of Bach's life.
Don't see it if You don't like slow pacing.
See it if You like great acting, and you’re interested in Bach.
Don't see it if If you’re not into slow plays (or Bach)
But ultimately this play revolves - wittily, cleverly, but repetitively - around the themes of flawed genius and the poisonous legacies of fame and family.
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But ‘Bach & Sons’ is entertaining stuff, made with care, and if the drama is on the cosy side, it’s worth saying the music always thrills, melodic razors of harpsichord, slashing thrilling patterns through the air.
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Bach’s musical theories are delivered in stagnant conversation...It is maddening to see all the signs of a powerful play folded inside a frustratingly flat one.
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A bold play of ideas, then, but also an invitation to tears; after the indescribable year we’ve had, it’s a stirring and unmissable occasion.
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Nina Raine’s new play Bach & Sons (premiered now in a production by Nicholas Hytner that moves with a terrific musicality) is typically sly, in the know and phenomenally eloquent.
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You are left with the feeling that while it is immensely difficult to dramatise genius, this is a deeply intelligent and humane investigation of what drove and defined the man who has left us such a profound cultural legacy.
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Rather than aggressive and frantic, Raine's text is pensive, inquisitive at times...But for the most part the piece feels encumbered by historical exposition when director Nick Hytner could make it lithe and punchy...
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Bach’s musical theories are delivered in stagnant conversation...It is maddening to see all the signs of a powerful play folded inside a frustratingly flat one.
Read more