“There’s nothing genteel or polite about a play that parades its pain for all to see, and you leave the auditorium aware that the world outside may be dangerous but that often the greatest damage begins at home.”
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"This play proves to be a strong piece which leaves us wondering what we really know about our friends and neighbours."
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“There’s lots to admire and enjoy here, but the too-neat ending, along some of the comic and dramatic flashpoints along the way, feels unearned.”
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"The characters are no longer comical and stereotypical but flesh and blood women, doing all they can to survive."
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"This is a well-researched and well-played piece of work, developed pre-pandemic but rendered bleakly topical by the revelations about what went on during lockdown in too many homes."
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"The director Róisín McBrinn struggles to establish a consistent tone, and the use of sinister noise effects seems to be trying to compensate for the lack of genuine dramatic tension."
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"The honesty of both writing and performances shines through, making the play an involving examination of exactly why women continue to suffer in silence, in homes where they should feel safe."
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"The plot can sometimes feel overstuffed, Bruce’s keenly observed dialogue remains vivid and raw, lifted by moments of grim humour."
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