See it if You believe in 2nd chance love
Don't see it if If you don't believe love can be found any where
See it if you would love seeing two theatre greats at the top of their game.
Don't see it if you need clear-cut resolutions to the narrative.
See it if Two great actors on stage.
Don't see it if Fairly on the surface really, but a great vehicle for two older performers.
See it if This was a fantastic play, we enjoyed it very much, both Ian McKellen & Roger Allam were brilliant in it!
Don't see it if I can't think of anything
See it if How amazing to see two great actors up close in an intimate theatre setting. Great acting from both actors
Don't see it if If anyone doesn't enjoy watching a gay relationship then this is not for them
See it if You love stripped back performances that focus on great acting
Don't see it if You want a riveting fast paced story line Read more
See it if You want a story you don't see coming to embrace you and smack you round the face with funny.
Don't see it if You're a homophobe, you're not OK with clichéd stories.
See it if You love watching Sir Ian McKellen perform on stage. A fantastic performance by him as always
Don't see it if You don't like him
"It’s a very cosy play in a lot of ways, but the venerable duo’s big, end-of-first-act snog feel quietly radical."
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“I don’t know if I’d run to see ’Frank & Percy’ in less expert hands. But the present company makes it an experience worth treasuring even as you wonder just when the indefatigable McKellen will return to the theatre once again.”
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"Frank is the straight man here in both senses, a foil for Percy’s flamboyant wit, and a novice in the world of gay dating that he’s oh-so-gently introduced to."
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" 'Frank and Percy' is touching, tender, and a lovely evening at the theatre."
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“I wanted to like ’Frank and Percy’ more. It stars two of our most accomplished and personable actors; it’s quite amusing; and it carries sweet messages about friendship, love and the ability to surprise oneself later in life. And yet, dramatically, writer Ben Wetherill and director Sean Mathias offer little more than a soft-centred character study that doesn’t break free of its limitations.”
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