Much Ado About Nothing (National Theatre)
Ends Sep 24 2h 30m
Much Ado About Nothing (National Theatre)

Much Ado About Nothing (National Theatre) London Reviews and Tickets

(5 Reviews)
Members say
Delightful, Slow, Entertaining, Absorbing, Funny

About the Show

Katherine Parkinson stars in Shakespeare's comedy about misunderstandings, courtships, and love.

Read more Show less

Member Reviews (5)

Sort by:
  • Default
  • Standing in our community
  • Highest first
  • Lowest first
  • Newest first
  • Oldest first
  • Only positive
  • Only negative
  • Only mixed
261 Reviews | 46 Followers
Delightful, Great ensemble, Lavish set

See it if you like charming, smart, funny modern adaptations of Shakespeare's comedies, that are approachable and fun, with great directorial touches.

Don't see it if you prefer more classic approaches to this material or a more contemporary fare. Also, at over 2.5 hours the second act does drag a little..

52 Reviews | 1 Follower
Funny, Slow

See it if you like your Shakespeare lighthearted and funny- though some of the humour was a little hit and miss.

Don't see it if you want a grittier show that makes more use of its rather impressive staging. Read more

36 Reviews | 2 Followers
Confused, Slow, Disappointing

See it if There are no reasons to see this

Don't see it if Just don’t Read more

5 Reviews | 0 Followers
Entertaining, Delightful

See it if You want to try Shakespeare but not a heavy period drama. It has appeal to modern audiences.

Don't see it if You want Beatrice side of story line focused. Hero's plot is prominent. Also it feels like half musical.Lots of singing & dancing.

4 Reviews | 0 Followers
Great acting, Hilarious, Entertaining, Delightful, Absorbing

See it if You love Shakespeare, you love an entertaining, at times silly, comedy that’s full of laughs, music, and drama.

Don't see it if You prefer a traditional and serious interpretation of Shakespeare. Read more

Critic Reviews (8)

Time Out London
July 19th, 2022

"If this production has a fault it’s that it doesn’t feel even slightly urgent. It’s a luxuriant meander though ‘Much Ado’ that often seems immensely pleased with itself. ... Spending time at the Hotel Messina is a pleasure, a lazy holiday on which not a lot happens, very charmingly. It’s a wrench to leave."
Read more

The Telegraph (UK)
July 18th, 2022

"Is it perfect? No, but it’s very serviceable in a bijou hotel kind of way – and there’ll be another one along, anytime soon; it’s a conveyor-belt classic."
Read more

The London Evening Standard
July 19th, 2022

"This is symptomatic of a production that feels like it’s going through the motions, full of forced comic business to make up for its lack of heart. ... It’s not a bad show, exactly, just ponderous and hollow. This play should zing with witty repartee and with the thrilling, shocking sense that no one can trust their emotions: instead we get gelato, cravats and sunshine."
Read more

The Guardian (UK)
July 19th, 2022

"The production does not, perhaps, plunge deeply enough into the play’s darkness, and no one actor commands our attention, but they all form a very able ensemble. ...this is a polished fantasy, extremely easy on the eye and a consummate midsummer comedy. You walk away not hugely moved or surprised – but certainly entertained."
Read more

The Times (UK)
July 19th, 2022

"Godwin, who would be many observers’ first choice to take over as artistic director at Stratford-upon-Avon, homes in on the human frailties at the core of the drama.Parkinson - is thoroughly at home with the production’s broad comic thrusts."
Read more

The Stage (UK)
July 19th, 2022

"The delicious design is matched by a production of both narrative and emotional clarity. Godwin’s style can sometimes feel aggressively slick, but for all its surface gloss this is an accessible production that hits the right beats. It’s a glittery, apolitical production but it’s well cast, stylish, summery stuff."
Read more

London Theatre
July 19th, 2022

"Godwin’s entire production is a feast of ideas, giving us a new point of interest in every scene- ... Crucially, each supports the text rather than overwhelming it. ... This whole production is a wonder too, and you will be just as helpless to resist."
Read more

July 19th, 2022

"Unfortunately, there is something lacking from what seemed to be a promising offering from the National Theatre. The laughs are inconsistent and the drama inconsequential, though it has a handful of hilarious moments, the action on stage is never genuinely affecting."
Read more

Watch This Next (3)

76 Reviews
Ends Aug 28
London: Hammersmith

A spirit-lifting musical adaptation of the hit film of the same name produced by Whoopi Goldberg.

17 Reviews
Ends Aug 28
London: Angel

Chichester Festival Theatre’s critically acclaimed production transfers to Sadler's Wells.

12 Reviews
Ends Sep 04
London: Victoria
Elliot Clay's immersive new musical showcasing the real lives of the generation born between 1981-1996.