Hattie Morahan, Seth Numrich and Jemima Rooper elevate this gothicky Tennesee Williams obscurity...I’d say ‘Orpheus Descending’ winds up as entertaining rather than brilliant.'
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A reminder of how much we owe Tennessee Williams...Hattie Morahan...gives a measured, understated performance, both highly watchful and eminently watchable.'
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...impressively, Harvey...holds the overarching weirdness of the story at bay, building her interpretation line by line...Harvey is also good at giving the heady themes of Williams' writing...room to breathe and grow.'
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Tennessee Williams scorcher needs more firepower...Troubled but tantalising Williams play doesn't entirely land this time around.'
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There's treasurable work from, amongst others, Jemima Rooper...Hattie Morahan is a vivid, intense presence as Lady Torrance that makes this play as spellbinding as it is unquestionably strange.'
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Hattie Morahan and Seth Numrich help breathe new life into Williams’ strange and clumsy southern gothic...the power of the acting overcomes the willed poeticism of Williams’s writing.'
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Because this is Williams, the writing contains moments of poetic vibrancy...Harvey’s production makes it possible to glimpse the play’s strengths while also appreciating why it’s not staged all that often.'
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Fascinating Hattie Morahan helps oddball Williams play exert grip...a fiery portrait of guilt, solitude and vicious bigotry, but almost buckles beneath the weight of its symbolism.'
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