This is a significant achievement that deserves attention.
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It’s 20 minutes too long, perhaps, and towards the end the tone tips towards melodrama. But otherwise, this is undoubtedly a majorly significant piece of writing.
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It seems grandly silly but in service of very little: hasty, oddly lacking in care.
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That Is Not Who I Am delightfully subverts theatre tradition as it blends lockdown-induced isolation, soul-crushing poverty, ever-increasing paranoia of surveillance, deep mistrust in the state, and two people fond of conspiracy theories in general.
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Somehow the evening ... dwindles into a case of “so-what?”. Oddly, it satisfies most when at its most conventional. It feels too self-involved and woolly to hit home hard.
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Davies and Kelly have a winning chemistry... Still, it's not quite enough to make this paranoid pair entertaining company for this play's one-hour 45-minute running time.
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The play is an enjoyably slippery, enthralling piece of work, albeit with a tiresome metatheatrical framework. It’s overdone ... but it’s also gripping throughout.
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The blurb describes the piece as a “slippery thriller”, yet ... [it] utterly [fails] to generate any sort of tension.
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