The Collaboration
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The Collaboration

The Collaboration London Reviews and Tickets

(5 Reviews)
Members say
Thought-provoking, Clever, Absorbing, Riveting, Great acting

Paul Bettany & Jeremy Pope star in this new play about Andy Warhol & Jean-Michel Basquiat's infamous exhibition.

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Member Reviews (5)

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34 Reviews | 2 Followers
Fluffy, Disappointing, Banal

See it if You know nothing of art.

Don't see it if You know ANYTHING about 20th Century art, and you think that Warhol literally killed totally... like.. he killed it.

9 Reviews | 1 Follower
Masterful, Must see, Thought-provoking, Absorbing, Clever

See it if Great direction, mesmerising performances and a DJ set that was awesome! Saw it twice and enjoyed both times.

Don't see it if You don't want to!

5 Reviews | 0 Followers
Emotional, Gripping, Riveting, Profound, Great acting

See it if If you enjoy great acting, a gripping story and fascinating insight into art and culture through the eyes of two very different artists

Don't see it if If you don't like dialogue-heavy and occasionally challenging drama.

5 Reviews | 0 Followers
Riveting, Thought-provoking, Great staging, Great acting, Delightful

See it if you like seeing two actors with incredible chemistry, and interval DJ sets!

Don't see it if if you don't like loud music and intense lights

2 Reviews | 0 Followers
Thought-provoking, Intelligent, Great staging, Clever, Absorbing

See it if You love art and recognise the resonance between 1980s New York and today's London. You want to grapple with race, identity and image.

Don't see it if You are not willing to think along with the characters. You want action, lullabies and simple answers.

Critic Reviews (7)

Time Out London
February 25th, 2022

It is, as I say, terrific entertainment. But there’s no getting away from the fact that it’s wildly contrived...It is fanfic, even at one point bordering on slash fiction, and pretty difficult to take entirely seriously.
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The Telegraph (UK)
February 24th, 2022

It’s refreshing to eavesdrop on the notoriously understated icon in relatively garrulous private mode...the casual detail and commitment of the central performances keeps you watching.
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What's On Stage (UK)
February 24th, 2022

[Anthony] cleverly weaves his arguments about the nature of art, the origin of inspiration and the corruption of the art world into a story that hangs roughly on the lineaments of the two men's lives.
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The Guardian (UK)
February 25th, 2022

An ebullient production under Kwame Kwei-Armah’s direction (there is even a live DJ though, oddly, the music is only cranked up in between scenes), it has two star turns in the central performances and a spectacular set from Anna Fleischle...
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The Stage (UK)
February 24th, 2022

For a play about mould-breakers, it’s structurally and dramatically formulaic, but McCarten has a real knack for humanising icons – for digging beneath the image to reveal the flaws, the contradictions and emotional complexity.
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The Times (UK)
March 2nd, 2022

The dialogue between an aphoristic Warhol and a sullen Basquiat takes ages to spark. After a gluey first half it finally does so in response to an off-stage calamity.
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The Arts Desk
February 25th, 2022

The leads are excellent, in challenging roles...As a whole, it’s entertaining when it might have been electrifying.
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