The Woman In White London Reviews and Tickets
Show-Score Member Reviews (2)
See it if you want to see a musical with a good story in an intimate settinng
Don't see it if you are not a fan of Lloyd Webber
See it if you like stage effects
Don't see it if you don't like the story
Critic Reviews (8)
The problem is, that it exists without the robust surrounding dramatic architecture necessary to make it fully resonate...there’s enough to satisfy Lloyd Webber completists.
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It is a powerful, poignant and underrated part of the Lloyd Webber catalogue, brilliantly restored here.
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The gothic chills and spills in Andrew Lloyd Webber’s musical are slow in coming. The narrative is clogged and the staging looks cramped.
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As enjoyable as Southerland’s production is though, it feels like this cast and creative team are wasted on this mediocre material.
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It’s good to see a musical where the female characters drive the story. Marian and Laura do (and risk) far more than the self-pitying Walter to expose Sir Percival, in a situation where the men have all the power.
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Despite the performances, this tale of passion, madness and murder comes across as competent rather than thrilling...this isn’t the resurrection that Lloyd Webber’s musical requires.
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Despite some well-judged tweaking this musical dramatisation remains flawed, especially in the narrative flow of act one.
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Lloyd Webber's music and Trevor Nunn's assured and fluent production, with its dizzying whirl of video projections, impart an authentic spookiness to the encounter.
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