âThe play certainly has merit: it is both an important historical record and a reflection of our here and now. But as drama, itâs unsatisfying: when sparks should fly or anger bubble, instead weâre left flat.â
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âPart of this playâs power lies in its timing...As Miller lays into politicians who cynically target gay people to win elections, itâs impossible not to be reminded of the UK governmentâs transphobic statements in recent weeks. Millerâs appeal to us bridges time and place, not just the gap between stage and stalls.â
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â...playwright James Corley cleverly unpicks Millerâs landmark essay, remaking an argument into a collage of anecdote and emotion. The lines are searingly memorable but Richard Cantâs superb Merle turns analysis into a churn of fear and fury. A groundbreaking op-ed becomes vital theatre.â
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âThe subject matter is so thoroughly explored, delving into the mind of this brilliant forebear of post-Stonewall gay literature, that these issues can be forgiven. Above all, âWhat It Meansâ is a momentous testament to queer literary heritage, and a full-hearted statement of our need to continue speaking up.â
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â âWhat it Meansâ is an important historical contribution about the realities for the LGBT committee in the early 1970s. Cantâs interactions with the audience provide relief from a serious topic, but also allow the audience space to reflect.â
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