See it if You are a big horror fan, or if you enjoy thrilling and mysterious stories with unexpected twists and turns.
Don't see it if You are easily frightened by jump-scares, or if you aren’t a horror fan in general. Read more
See it if you LOVE A BUILD! I saw 2 understudies (Lauren and Ben) and they were great! Clever writing and premise.
Don't see it if you want a neat ending! Expect to go down a Reddit rabbit hole after!
See it if You like a mystery
Don't see it if You scare easily
See it if you want to see a riveting, well-acted, and intelligent play with an ending that will make you want to see the show a second time.
Don't see it if you don't like suspensful shows or twist endings. This is an intense show with a tragic resolution.
See it if you like engaging thriller stories, and don't mind lighting and sound-related jump scares.
Don't see it if you want a really sensible twist that will be the culmination of everything laid out beforehand in the play. Or true scares!
See it if you like a good ghost story
Don't see it if you don’t like tension
See it if -
Don't see it if -
See it if you want to experience an interesting horror theatre experience
Don't see it if you dislike horrors and banal plots
This is a superior, knowing piece of genre drama, well-executed, and buoyed up by Allen’s star power and skill. A great, spine-tingling night out.
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"The play is witty, bracingly sweary and probes intriguing ideas."
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Dunster directs ... with a macabre playfulness that comes to the fore in Ian Dickinson’s magnificently unsettling sound design. There’s no denying that Allen is the one who’ll put bums on seats. But ‘2:22’ is a rare ... example of a Good West End Ghost Play.
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"If you are a mad keen Cheryl fan ... you won’t be disappointed. It’s definitely not a show-stopping turn, and your enjoyment of the night will definitely hinge on how much you enjoy the actual play."
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“The production ultimately succeeds not because of its ramped up comedy but in spite of it. It will surely win audiences once again: it has entertainment value.”
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“Without getting too carried away, it’s Cheryl – whoo-hoo – who has opened a portal to another world of possibility. ”
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The success of the play lies in the way director Matthew Dunster treats it as a domestic drama. It's often very funny and always sharp-eyed. I found the ending disappointing, but I enjoyed the journey.
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None of the jump-scare moments rival the frissons I recall from ... the likes of The Woman in Black, but 2:22 A Ghost Story to its credit has far more on its mind.
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