See it if you like plays that deal with issues that are currently going on in the world
Don't see it if Yes you’re not interested in a subject that deals with race. Read more
See it if We loved it! We laughed a lot despite the story being told, some very good lines delivered by a great cast. It also makes you think
Don't see it if you don't want to have a great evening
Aukin's production keeps the tensions, arguments and counter-arguments flowing rapidly for an unbroken 1 hour 45 minutes.
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‘Admissions’ might have felt topical. But it doesn’t. Some of America’s smartest playwrights – Branden Jacobs-Jenkins, or Jackie Sibblies Drury – have plenty to say about race and privilege. Joshua Harmon does not.
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Worth a look, then, but maybe a fresh round of application from Harmon could ensure it achieves greater distinction.
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Covering race, class and educational bias, this is a play guaranteed to make white liberals shift uneasily in their seats.
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As was true when it was premiered at Lincoln Center Theatre last spring, the play packs a genuine wallop well before coming to rest on the ironic final word, "perfect".
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Director Daniel Aukin needs to tone everything down, so that we can reflect upon the occasional sharp and thoughtful point that Harmon does make.
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It's a clever production of a script which doesn't deliver on its final A-grade.
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Uncomfortable for some? One hopes so. But what a punch to the kidneys for liberal snoots. Peppery, provocative, riveting stuff.
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This classic Andrew Lloyd Webber musical is the longest running in Broadway history.
Michael R. Jackson’s Pulitzer Prize-winning masterwork about a young artist grappling with identity.
Ntozake Shange's groundbreaking performance piece is reborn on Broadway.