This musical adaptation of Robert Zemeckis’s hit 1985 time-travel movie is enormous fun. Loyal to the story and the larky spirit of the original, it’s been deftly expanded by Zemeckis’s co-writer Bob Gale into a standalone stage work.
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Again, your enjoyment is going to depend on how up you are for ‘Back to the Future’ cranked to the absolute max for virtually the whole night. Where this musical is going, you don’t need roads. But you might need a good lie down.
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The show seems like a mashup of theatre and film...Despite its inventions and its abundant splashiness, it is an odd mishmash of originality and imitation, the DeLorean remaining its biggest star.
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It’s a feelgood triumph. Is it the most sophisticated musical around? No, but it’s a no less exhilarating all-American entertainment drive-thru than Hamilton.
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I suspect that if you’re a hardcore fan who knows every line of the film script you’re going to buy a ticket anyway. Others should beware...Yet even though the film’s co-creator, Bob Gale, is credited for the show’s book, John Rando’s West End production is middling at best.
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It's undoubtedly an evening that sends you back to your own future with a smile on your face, a perfect night out for nostalgics and car-loving kids of all ages.
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And, in truth, it’s not exactly a musical in the traditional sense. After two viewings, I’d be hard pressed to reproduce much of the original score; the songs that stick are the pop hits used in the movie and triumphantly reprised here, “Johnny B Goode” and “The Power of Love.”
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...dashes of Secret Cinema and theme-park ride thrown into the mix. If this spectacle is the future of West End shows, sign me up. There’s just the small problem of everything else.
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