See it if You enjoy a quirky show
Don't see it if You are easily offended
See it if This production of cabaret is absolutely mind-boggling. It’s like crazy night out of years gone bye. Singing and acting absolutely wonderful
Don't see it if Burlesque musicals
See it if you enjoy masterfully directed, immersive experiences with great performances all around. cabaret (the song) was actually life changing.
Don't see it if yeah no reason.
See it if You want to see real Cabaret and not the Liza Minelli film. You love history, drama, are moved by shows...
Don't see it if you're going to moan that Liza did it better... she didn't
See it if I was lucky to see this with the original cast, Eddie and Jessie were phenomenal. The staging and the redesign of the theatre was incredible
Don't see it if It is a very different interpretation of Cabaret and may not be to everyone’s taste
See it if You want to see perfection in a musical! The orchestra are amazing, the acting and singing was sublime. The hype is worth it!
Don't see it if You don’t like heavy shows or expecting it to be the exact same as original. Tickets very expensive… but you can find some good deals!
See it if you want to see a masterpiece of a revival, with a stellar cast, phenomenal performances, and a top-tier score by Kander and Ebb
Don't see it if You are unsure, tickets are v. expensive
See it if Very immersive, with theatre set up like a club. There are tables at the front where you can eat your meal or order drinks.
Don't see it if Very dark theme Read more
Eddie Redmayne’s Emcee is a brilliantly twisted creation. [Jessie Buckley] epitomises interwar Berlin: broken and broke, dancing tipsily on the edge. Frecknall proves herself one of our most exciting directors, and she draws superb performances from all involved.
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But fundamentally, it’s a great production of ‘Cabaret’ that’s good enough to triumph over the myriad distractions it throws in its own path.
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Rebecca Frecknall’s production on the whole lives up to its hype. [Jessie Buckley] sings with astonishing command, and there is an especially breath-taking version of “Cabaret”. If this show is sold on [Eddie Redmayne's] star turn, we get more than our money’s worth with his blinding performance – in this blinder of a show.
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This is it. This is the one. At the end of the year, Rebecca Frecknall’s production of Cabaret – starring Eddie Redmayne and Jessie Buckley – stands revealed as 2021’s kill-for-a-ticket theatrical triumph.
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With its starry cast and a director who has made her name rethinking classic plays, this Cabaret always promised to be the show of the season. It is that. It's also a show for our times.
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“Every element of Frecknall’s production is a wow: the sumptuous pre-show entertainment...this production is, and will remain, an absolute knockout. With its combination of all-encompassing decadent beauty and thunderous moral force, there’s simply nothing else in town quite like it.”
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Every decision [Frecknall] makes here has clear, clever purpose. This Cabaret isn’t a radical reinterpretation, but its differences from previous productions plant themselves subtly at first, then ripple outward until they overwhelm.
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The Kit Kat Club is the ultimate escape. After a difficult or even ordinary day, the fanfare, glitz, and glamour feel like a portal to another time, where you’ll be greeted with complimentary schnapps, dancing chorus members, and a lascivious pre-show smorgasbord.
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