Benj Pasek and Justin Paul's beautiful score may be a little ballad-heavy, but has integrity and depth that matches the story they have to tell, whose book is written by Steven Levenson.
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[The production] looks odd and overdone in London. Ultimately, this is a high school drama about stalkers, trolls and those who piggyback on tragedy. Which may be a tough sell for a London musical audience.
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Directed (as on Broadway) by Michael Greif, the evening has - all the same - no weak links, casting-wise. But the show belongs to its 21-year-old star Sam Tutty, fresh out of drama school and making his West End debut.
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Yet if the prospect of spending an evening contemplating the perils of peer pressure, family breakdown and rampant social media seems less than inviting, be reassured that Dear Evan Hansen is worth it.
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A pat sentiment, perhaps, but worth sharing – and if this modern fable speaks loudest to a new generation of theatregoers, then it’s one we can all cheer.
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A West End newcomer, 21-year-old Sam Tutty glows with sweat and goodness, bringing integrity to a storyline that’s somewhere between ingenious and tortuous.
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As shown in The Greatest Showman, Pasek and Paul have cracked the formula for four-chord pop songs; songs with a golden touch...Yes, a couple of those in second act are mawkish, but the rest are superb.
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Everything, in fact, is expertly done but, if I didn’t totally surrender to the show, it is because it lacks the courage to admit that high anxiety is not so easily cured.
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