See it if You love a cheesy night out with lots of memorable songs
Don't see it if You like traditional musicals
See it if you love a clever spin on a familiar story to some of the great hits of the past 20+ years.
Don't see it if if you are dead.
See it if You love pop songs
Don't see it if You don’t like having a good time
See it if You love 90s/00s hits and an engaging story that is cleverly written!
Don't see it if You aren't a fan of silly comedic storylines!
See it if you love a great night of fun and entertainment
Don't see it if you don't like pop music and cheesiness
See it if You love comedy musicals and you love all the music of Max Martin
Don't see it if You prefer a show with all original content, and don’t like Shakespeare. Read more
See it if you want an evening of unabashed fun and some brilliant pop tunes. Consistently witty, expertly danced and sublimely sung!
Don't see it if you don't like jukebox musicals or you're expecting the original Shakespeare which this is most assuredly not.
See it if you want a fun evening of theatre.Pure fun and silliness.Keala Settle is amazing.Great voice,great comedic timing.Rest of the cast is super.
Don't see it if you like non-musicals,hate rock music,feel Shakespeare is an untouchable god,only like serious musicals.This is fun, funny, & very well done
The plot is fun provided you refuse to take any of what happens seriously. It’s basically ‘Romeo & Juliet’ rewritten into a sort of woke panto.
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& Juliet is a show that should not work in theory, it should come off as twee and inauthentic yet somehow it completely works. Told through the medium of a modern pop song that results in a tour de force of pop culture, feminism and Shakespearian in-jokes that has something for everyone to adore.
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The plot and message of female empowerment are pretty thin but this jukebox musical is an absolute blast and features a powerful turn from Miriam-Teak Lee.
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While this show isn’t in the same league as Mamma Mia! by fellow Swedes Abba, those with a willing ear for his brand of shiny pop should enjoy hearing his bangers rendered at high volume and landing with a swaggering, truant disposition.
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It’s loud, irreverent and camp, the cast bumping and grinding on a set that is a cross between Cinderella and an episode of Eurotrash.
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...likeable and sometimes spectacular production...The company is led by the extraordinary Miriam-Teak Lee in the title role of Juliet, who brings a sizzling presence, incredible vocals and moves to turn her into a force of nature.
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The result is a jukebox musical with the broad humour and feelgood fairytale sentiment of a pantomime, plus a generous dash of The X Factor in its parade of bombastic production numbers.
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[& Juliet] becomes something new. Nominally set in the past, with all kinds of shapes, sizes, colours and sexualities visible on stage, it feels more like a glorious vision of a Technicolor future.
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