See it if you want to see a great serious classic musical
Don't see it if you don't like Victor Hugo.
See it if You don't want to miss a masterpiece
Don't see it if You don't like musicals. There is no other reason why you don't have to see it
See it if Phenomenal show with great acting and iconic songs that you will be singing for years to come. Seen 30 times now and I’m sure I’ll be back
Don't see it if I think it’s a show you need to see at least twice as there is the story to follow and then the songs.
See it if You want to see one of the best ever musicals, full stop! If you are a musicals’ fan you must see this!
Don't see it if You expect there to be talking. It’s song after song after song.
See it if you love classic megamusicals
Don't see it if you don't want to see a deep story
See it if you want to experience a gripping musical with a fantastic score.
Don't see it if you've seen it 100 times and you've never been to another musical, then it's time for you to try something new. Read more
See it if you want to see an impressive new version of a classic musical
Don't see it if 3 hours is too long
See it if You want to see a classic. This is a must!
Don't see it if You are not up for a long and serious musical but prefer something lighter.
I don’t think anybody could realistically see this imperfect, absurd, magnificent show and suggest that its crown as London’s longest-runner is in any danger.
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All in all, Les Mis and the refurbished Sondheim feel fit for purpose for the next decade or three.
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Assisted by a cluster of terrific lead performances...London’s longest-running musical has seldom looked, or sounded, so fresh.
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[Les Miserables] remains grossly melodramatic, overlong and overloud. Most of the lyrics and sung-through dialogues are painfully clunky, every emotion stamped in blaring capitals.
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It's all very efficient and sharp. At its heart is Jon Robyns as a big-voiced and tender-hearted Valjean, catching the character's tortured valour and bringing gentle passion to the quiet "Bring Him Home"...
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The show remains a thrilling triumph. Here's to the next 35 years, as it looks set to become The Mousetrap of musical theatre; but unlike that murder mystery, there's hardly any mystery to why it's such an enduring success.
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Swift, slick, sexy, sounding better than ever and constantly spectacular, the posters that flood Shaftesbury Avenue are, to be fair, pretty much on the money: this is a Les Mis for the 21st century.
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It barely needs to be said that the picture that [Les Miserables] paints of the poor echoes sights you can see in the streets every day, and so there is little point in denying its political punch.
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