A lumbering show has its moments of familiarity as “The Impossible Dream” pops up again (and again), but mostly the dream that's impossible is to make it feel alive and relevant today.
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Even Danielle de Niese’s fine voice can’t save ENO’s out-of-sync commercial collaboration – no matter how many times they play The Impossible Dream.
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Grammer, though, kinda gets the last laugh, earns his spurs. Critical drubbings or otherwise, Frasier’s many fans will still want to catch him – striving, as it were, to reach the unreachable star.
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While Grammer captures well the Don’s melancholy nobility, it’s not the sort of charismatic lead performance necessary to anchor a show in a venue like the Coliseum...He sings adequately, although he fails to make standout anthem The Impossible Dream reverberate in the way it should.
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Producers Michael Linnit and Michael Grade don’t make a convincing case for reviving it: a mismatched celebrity cast and a by-numbers production mean that contemporary relevance, like chivalry, really is an impossible dream.
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But it's not enough. Man of La Mancha hasn't been performed professionally in London since 1968. It can now return to the museum.
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So, despite the starry casting of this really patchy production – it is odd watching Kelsey Grammer and Nicholas Lyndhurst side by side...what sustains most interest is simply the curiosity factor.
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Here all the stops are pulled out but, despite the commitment of the ENO orchestra, the result is a misfire. It says much that only a giant staircase, constantly lowered in James Noone’s metallic design, was moving.
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