The Unfriend (West End)
Closed 1h 55m
The Unfriend (West End)
80%

The Unfriend (West End) London Reviews and Tickets

80%
(540 Ratings)
Positive
81%
Mixed
10%
Negative
9%
Members say
Entertaining, Funny, Clever, Delightful, Great acting

About the Show

Lee Mack, Sarah Alexander & Frances Barber star in Steven Moffat's satirical play.

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Show-Score Member Reviews (160)

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3 Reviews | 0 Followers
50%
Entertaining, Funny

See it if It was a very fun way to spend an afternoon.

Don't see it if If you want something serious, beautiful or unique.

4 Reviews | 0 Followers
85%
Clever, Entertaining, Funny, Great Acting, Great Writing

See it if You like a good script that’s generally entertaining

Don't see it if You want to be wowed

26 Reviews | 0 Followers
86%
Funny

See it if you can relate to being "too British" and can find the humour in it.

Don't see it if you find toilet humour distasteful (the play loses its way a little in the middle).

26 Reviews | 0 Followers
80%
Entertaining, Funny, Great Writing, Quirky

See it if you enjoy a good laugh with a fun storyline and great acting

Don't see it if you enjoy more complex storytelling

26 Reviews | 1 Follower
80%
Banal, Entertaining, Looking For Easy Laughs

See it if You want to be entertained for an hour and a half

Don't see it if If you look for a things a bit deeper when going to the theatre.

1 Review | 0 Followers
91%
Entertaining, Hilarious, Topical, Witty

See it if You want a really good belly laugh and to just have some fun.

Don't see it if You're an uptight elderly lady like the one sitting next to me, whose face would have cracked if she'd even tried to smile. Read more

34 Reviews | 0 Followers
85%
Entertaining, Funny, Great Acting, Great Writing, Hilarious

See it if Well written comedy with an entertaining easy to follow story and a lot of laughs.

Don't see it if You don't like comedy or are looking for something more focused on music and set design.

59 Reviews | 9 Followers
75%
Clever, Entertaining, Funny, Lively, Silly

See it if You like Not Going Out

Don't see it if You don't a silly show with a Mack-y energy.

Critic Reviews (14)

BroadwayWorld
January 12th, 2024

"There are laughs in this play and some winning performances but there’s a better, tighter, more credible comedy lurking beneath the waves of the one we see."
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Theatre Weekly (UK)
January 10th, 2024

Razor sharp direction from Mark Gatiss keeps this gentle comedy feeling exciting, while Robert Jones’ forced perspective set draws the eye to where all the action is happening. The Unfriend is a far-fetched comedy farce that is, on the whole, very funny. It’s an easy-going delight that is effortlessly entertaining and showcases some incredible talent, on stage and off.
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Time Out London
January 11th, 2024

“It's patchy, and a bit stiff, and a bit dated...But who’s coming for depth? It’s a laugh, and there are far worse ways to spend two hours in a theatre.”
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London Theatre
January 10th, 2024

“Gatiss’s production, which feels like a cross between a play and a sitcom, is perfect for Mack’s brand of comedy...Arguably, some of the toilet humour goes on a little too long – but this can be forgiven in such an accomplished production. After all, if we’re not careful, manners will be the death of us.”
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West End Best Friend
January 10th, 2024

“If you’re looking for a few easy laughs and want to switch off for a couple of hours then head on down to the Wyndham’s. Ultimately though, ‘The Unfriend’ brings us nothing new. The cast are limited by a script that gives them no room to play.”
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The London Evening Standard
January 20th, 2023
For a previous production

“This love-in of starry small screen creatives fills a hole in the West End as a much-needed, riotous bit of fun.”
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Time Out London
January 20th, 2023
For a previous production

"Unfortunately, it’s not very good, with a half-baked script from Moffat dragged down by surprisingly starchy direction from Gatiss."
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The Telegraph (UK)
January 20th, 2023
For a previous production

“At a time when nuance seems doomed, what a glorious breath of fresh air to see the lightest-touch dramatic argument posit that people can be, yes, both terrible and wonderful.”
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