Young Frankenstein London Reviews and Tickets
Member Reviews (9)
See it if if you like period plays done in a modern version. Great singing and greT acting very well produce.
Don't see it if If you don't like period plays done in a modern version.
See it if you want a brilliant comedy, that will keep you laughing and smiling throughout.
Don't see it if you’re not a fan of Mel Brooks.
See it if !
Don't see it if !
See it if if you think misogyny form the 1970's is hilarious
Don't see it if you have a brain Read more
See it if you like Mel Brooks humour, great entertainment and lots of fun
Don't see it if you don't like Mel Brooks humour, and take yourself a little bit too serious
See it if you enjoy Mel Brooks comedy, and are happy with an evening of cheap laughs and silliness.
Don't see it if you want anything deep or spectacular.
See it if Amazing musical production, funny, engaging and wonderful dance and musical numbers. Really entertaining, deserving of it's Tony Awards.
Don't see it if You don't like musicals or comedy
See it if you’re a Hadley Fraser fan! A frivolous, fun show which didn’t involve any angst, deep thinking or ‘serious’ music. A little dated.
Don't see it if You like ‘Serious Theatre’ or dislike Mel Brooks.
Critic Reviews (10)
I’m awarding it a “mere” four stars because I don’t think audiences should go in over-expectant – and clearly fans will get more out of it than the uninitiated...Very silly and entirely welcome.
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Here is a show in a vaudevillian music hall tradition that's very legible to British audiences, steeped as we are in pantomime, yet also executed with real Broadway theatrical aplomb.
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For once, I really did laugh until I cried, not least in amazement that so unapologetically bawdy, lowdown a romp has somewhere along the way acquired a heart.
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The horror-movie spoof is gleefully reanimated for the stage with even more jokes, superb set-pieces and barnstorming parody songs that stick a pitchfork into good taste.
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This is a wonderful night out, frequently reaching that all too rare comic plateau where it becomes literally impossible to stop laughing. A triumph.
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It’s still madcap, energetic fun...Still, I’m not sure what lightning bolt of inspiration persuaded Mel Brooks to reanimate this musical comedy – it might have been better left for dead.
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Young Frankenstein would be a middling musical even were it not for the Nixon-era sexual politics...the way the show treats women cannot be overlooked.
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Mel Brooks’s musical make-over of his classic 1974 horror movie spoof is deliriously silly and shameless from start to finish. That’s its appeal. It has no aspirations other than to unleash laughter. On that front, the show is a signal success.
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