Chotto Desh NYC Reviews and Tickets

"It’s smaller in the sense that it’s an adaptation for children, but that doesn’t mean it’s inferior. If anything, this adaptation is an improvement...What were failures of subtlety in a work for adults largely become virtues of clarity in a piece for children. And what Ms. Buckmaster has preserved — what must have prompted the adaptation — is the sense of wonder, elicited mainly through a beguiling mix of dance and mime."
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"Mr. Ricchini skillfully filled the New Victory stage with his dancing and acting...To a colorful score and a moving narration told in the voices of Mr. Khan, his grandmother and his father, Mr. Khan’s choreography first took his stand-in to a very noisy, smelly Bangladesh...In just under an hour, a very satisfying journey enfolds on the New Victory stage, flavored with just enough bittersweet emotions to keep it from becoming the usual, cloying kiddy story."
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"Poignant and funny, as well as universal in our diverse contemporary society, but its originality lies in the manner in which that story is portrayed. It employs enchanting animations...Some of the solo dances are a bit long, and do not hold the viewer’s attention as forcefully...Director Sue Buckmaster certainly cut down on the length of the original production, and focuses on some of Khan’s earlier experiences to make it more accessible to a younger audience."
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"I found the solo dancer to be both commanding in his presence and convincing in his portrayal...The show itself was fantastic...'Chotto Desh' has some humorous scenes, some dramatic scenes, relatable dialogue, and a time-skipping, unique arc leading to both a satisfying conclusion and story moral...'Chotto Desh' is entertainment that will hold your attention, while making you think, smile, and even laugh!"
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"Here is a bona fide great piece of dance, clearly within the expectations of its dance audience with resonances that go deep beneath its surface moves – yet as a piece of dance for children and their families it allows the festival to explicitly programme for that audience...The storytelling is clear and energetic...Fun and spontaneity are sprinkled across the show. But all the while there is acknowledgment of the deeper element at work, in the complex bonds between father and son."
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"With a Filipino mother and Bangladeshi father, yet influenced by dance routines from America, Khan begins to put all the pieces together and create his own style. All of this is conveyed through a mixture of choreography, spoken text and animation, cleverly re-shaped by director Sue Buckmaster...The animation scene, inspired by an old myth, is utterly captivating, and a sequence about conflict, beautifully scored by composer Jocelyn Pook, is deeply moving. An absolute triumph."
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"This production brings together dance, storytelling, projection and music to create a magical tale of discovery, heritage and identity. The lush visuals and score provide a backdrop for the athletic and precise choreography in a fusion of the classical Kathak and modern dance techniques. Superbly executed, this is a fantastic introduction to the magic of theatre and dance and, even when the narrative was less obvious, the younger members of the audience remained entranced."
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"An autobiographical memoir fashioned out of choreographer Akram Khan’s own childhood with an honesty that is unvarnished, affecting and thoroughly engaging...The whole piece is imaginatively designed and staged, Khan’s movement vocabulary, with its bravura Kathak spins and springing footwork is thrillingly realized by Alamanos to beguiling music by Jocelyn Pook. A delight for adults and children alike."
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