“The ever-ingenious Ms. Hamill has given us something completely and delightfully different, a smallish-cast period-dress ‘Pride and Prejudice’ that she’s done over in the revved-up manner of a Hollywood screwball comedy…Such a show demands worthy staging, and Amanda Dehnert…delivers the goods with gusto…In addition to having written the script, Ms. Hamill plays Lizzy Bennet with winning impishness…The kind of show that would flourish in a small Broadway house.” Full Review
“The cast is beyond perfect, the direction inventive, and the text is stripped of all the unnecessary fluff. In other words, this production makes the story that Jane Austen shaped available and immediate...So connected are the actors and elements of this production, one cannot single any one person or element out. This is an ensemble that stands as an example of what the word ‘seamless’ means in the theatre...Treat yourself to this one.” Full Review
"A delightfully comedic farce...Dehnert keeps this delightful play moving with a beyond-brisk pace that manages to clearly delineate the novel’s action from beginning to end...The assumed seriousness of the novel is replaced with the unexpected playfulness of Hamill’s script, the precision of Dehnert’s direction, and the brilliant cast assembled for this production...This is a ‘Pride and Prejudice’ for this time and every time.” Full Review
"Hamill's latest work is her third consecutive triumphant and wholly original adaptation of a classic novel...It’s a barely controlled kind of mayhem in which anything can happen at any moment adding to the ever-building excitement...'Pride and Prejudice' is a sheer pleasure, an exuberant and exhilarating reimagining of a cherished classic about the rather tricky game of love and holding out for just the right match." Full Review
“While this is not a Bedlam production as was Hamill's hugely successful stage version of Austen's second published novel, ‘Sense and Sensibility,’ director Amanda Dehnert has staged the play in their inimitable style for this co-production of Primary Stages and Hudson Valley Shakespeare Festival and has created a clever 19th century entertainment with a decidedly 21st century sensibility. The versatile Hamill has also given herself the plum role of Elizabeth Bennet, here known as Lizzy.” Full Review
“Brilliantly brought to life by the immensely talented and seriously smart Hamill...She has returned to the stage, to star in and present Lizzy and the Bennet family shenanigans to us all in an absurdly funny but ridiculously heart-felt manner...Will squeeze your romantic heart in the most touching of manners, as you laugh, love, and truly embrace these characters...A pure theatrical delight, a playful and smart romp through the English countryside of Austin’s world." Full Review
"Incites the senses and decries stuffy sensibility...Hamill’s take on the classic novel has the convivial effect of hurling you head-first into the marital machinations of the entire Bennet family...Austen’s eristic tale has an incandescent champion in Kate Hamill who’s a firebrand in the role of Lizzy Bennet...I haven’t stopped laughing at her plight; it’s a perfect distillation of Austen’s valiant heroine. Excellent direction by Amanda Dehnert controls the chaos." Full Review
"While the present work offers many pleasures, it lacks the air of lighthearted effortlessness...A frenetic pastiche of slapstick comedy, anachronisms, and crossdressing that tries much too hard to entertain...Surprisingly Kate Hamill’s Lizzy is disappointing; she comes across mainly as a sourpuss. Some of the anachronisms were jarring for me...The audience appeared to be having a good time. If you are not measuring it against Hamill’s earlier work, you probably will too." Full Review
"The tone has been rewired from witty comedy of manners to boisterous farce...A fast-paced, winking entertainment...Hamill also winds up doing justice to Austen in her portrayal of Lizzy...The bickering between her and her love-hate suitor/antagonist Mr. Darcy has its comic moments, but as the play progresses, the attraction between the two feels real...For all the bells and whistling the last quarter of Hamill’s play is as charming and touching as it is in Austen’s novel." Full Review
"A laugh-out-loud adaptation...Isn't super accurate, as far as the novel is concerned anyway...The play itself features cross-dressing actors and more anachronisms than a Mel Brooks movie...While some of these jokey interludes are hit-and-miss, the antics mostly work because Dehnert and Hamill commit to the anachronistic tomfoolery throughout the show. But it's the actors, with their onstage playfulness who make the production a joy to watch." Full Review
“Hamill reinterprets with irreverent glee, one foot in the appropriate era, the other is contemporary time, never eschewing pivotal plot...Full musical tilt without swallowing up its story...The company are adroit with high-low humor...I’m afraid that Hamill embodies her character with less insight and more ham than that with which her fellows manifest theirs...The production shows an excellent editorial eye...Pace is brisk, but knows when to pause...A welcome catharsis.” Full Review
"Purists need be forewarned that the gifted and talented Hamill has eloped just a bit recklessly with the irony, wit, and insightfulness of the novel's matrimonial considerations...This version, nevertheless, remains commendably faithful to Austin's plot yet with an almost giddy disposition towards parody...Matchmaking a la Austin in the Georgian manner has rarely been afforded so much giddy fun and funny games." Full Review
“What’s noticeably missing is the story’s historical context. What’s left is a Reader’s Digest reduction of Austen’s saga, with wildly anachronistic language...Hamill’s script stays close to Austen’s dialogue, but her rowdy innovations undercut the source material...What saves the day for this production is faultless casting coupled with Dehnert’s fast-paced direction...The ensemble...is as close to irresistible as any cast currently on a New York stage.” Full Review
"It hasn’t met a rib it can’t tickle. But the silliness masks a cynicism that blunts some of the fun...If the performances are sometimes too exaggerated, they are always spirited...I don’t mind the anachronisms in language or music and I’ll go to the mat for Ms. Hamill’s un-Georgian mischief. And yet, this 'Pride and Prejudice' misses the heart and real radicalism of its source. Maybe it even misses the point." Full Review
"Hamill’s 'Pride and Prejudice' has fun and charm to spare, but it ultimately feels like it’s grafting an idea onto Austen’s text...Though this 'Pride and Prejudice' is full of high spirits and genuine mirth, Hamill’s additions to Austen feel, well, like additions. The games and bells become bells and whistles...When it embraces Austen’s inherent genius and humor, the production starts to shine...In its persistent additions to its source, it only intermittently accesses the power of what’s al... Full Review
“While there are flickers of fine comic acting, and the actors are all expert at what they do, subtlety is sacrificed for pedal-to-the-metal hamminess. Hamill's overacted Lizzy is the worst offender…The performance has an anything-for-a-laugh exuberance that often smothers the story in farcical foolery…Act Two, while still prone to excess, tones things down considerably and has some lovely, even serious moments, especially an extended conversation between Lizzy and Mr. Darcy.” Full Review
"There is a pleasing simplicity to her adaptation...But in Primary Stages’ frisky production, comedic bits overwhelm character. Dehnert lets the playful antics descend into uncontrolled theatrics...The most effective moments are the ones with the most heart. O’Connell’s awkwardness is endearing, and Thorn delivers touching turns as both the mild Bennet patriarch and Lizzy’s practical friend Charlotte. Like Austen, they recognize the humor that can be found in restraint." Full Review
"The performance, though always skillful, depends entirely on your willingness to enjoy something that hews to Austen’s narrative while consistently violating her manner, her spirit, and her tone...The excess of goofball behavior has not left sufficient room for Austen to cast her spell, and without her spell, what was the point of adapting her novel?...The company’s love for the work, though not entirely absent, has been displaced by other concerns, like making noise and having fun." Full Review
“Either you go for this riff on the classic or you don’t...An onslaught of buffoonery by a cast that, as talented as it is, overacts to the hilt under the direction of Dehnert. Depending on one’s reaction, blame or praise can be aimed at playwright Hamill...The audience generally whooped it up with laughter...However, I had trouble joining in the revelry, as I am too engaged with the wit and meaning in Austen’s original to see the purpose of such no-holds-barred satire.” Full Review
"The case for this sort of fooling around is that a classic is supposedly being given new life, making it accessible to modern audiences...It might help if these bits of business were executed with more precision, but there is far too much mugging, shouting, and running around, all of which proves wearying...Must it be so blatant, so juvenile? Couldn't a little Austen-style sophistication sneak into the proceedings?" Full Review
for a previous production “Hamill…is at it again more riotously, more ingeniously than before. With a rollicking, witty, smart, thoroughly entertaining ‘Pride and Prejudice’…Ms Hamill delights with her best work yet, and serves the best summer theater fare anywhere...Beneath ‘P&P’s’ laughs, there’s a core, more delicate sensibility – a wry, keen awareness that regards, with squinted eye, people warts and all. This 'P&P' is blissful mirth – a special potion of affectionate, bemused cynicism, and realistic optimism.” Full Review
for a previous production “Hamill has clearly made it her own in way that I think will resonate with all kinds of Austen fans!...Hamill does a lovely job as Austen’s heroine, Elizabeth Bennet…Kudos to Kate Hamill for displaying the courage of Elizabeth Bennet to not only adapt Austen’s most popular story for the stage, but to adapt it in a way that I believe will appeal to Austen fans, old and new, in a way that’s fun, imaginative, and bold.” Full Review
for a previous production “Not for Hamill such a passive/aggressive angle of attack; she goes for full-blown farce that tears the social conventions of the landed gentry to hysterical shreds. Amazingly, deliciously, it all works; but purists should consider themselves forewarned…While clever, the humor here is very broad indeed…I highly recommend giving HVSF’s 'Pride & Prejudice' a try. It’s loads of fun, put on with both great professionalism and refreshing, zany zest.” Full Review
See it if you love Jane Austen in general, Pride and Prejudice specifically and especially Kate Hamill, who has done it again - a true theater talent.
Don't see it if you don’t enjoy poking fun at classic stories. Austen would be rolling, all right, but completely in laughter. SO GOOD.
See it if you enjoy the overuse of mugging and screaming in a play. You want to see Jason O'Connell keep getting better and better as an actor.
Don't see it if you are a traditionalist. The play misses most of the flavor of Austen's novel.
See it if You appreciate parodies/adaptations. See it if you love Kate Hamill or if you don't yet know her. Wee it if you love fabulous acting. See it
Don't see it if There is no reason not to see this play.
See it if You want to see a horrible interpretation of Pride and Prejudice. If you like cheap laughs this show is for you.
Don't see it if You hate long shows where the plot goes nowhere. Horrible interpretation of this novel/movie.
See it if Fiasco's and Bedlam's trunk show stagings of Shakespeare delight you and you're open to the same approach for a Jane Austen adaptation.
Don't see it if you insist that Fitzwilliam Darcy look like a dashing young Laurence Olivier or a messy-haired Colin Firth.
See it if You like a different take on Austen’s classics, and know Kate Hamill’s work. Actors play multiple characters, adding to the hilarity.
Don't see it if You expect the typical British drawing room version of an Austen novel. Do not like pratfalls or silliness.
See it if You just want to have fun with a quirky take on a classic.
Don't see it if You need your classic super true to form and don't like farce and going with the FUN vs the cut and dry dialogue
See it if While keeping much of Austin's delicious comedy of manners, Hamill's adapt too often gets caught up in silly, pop culture mannerisms & bores
Don't see it if Suprisingly, male cast comes off better than females. Hamill is too often one note & too broad but both Tufts & Bedard outrageously funny
See it if you’re a fan of Jane Austen, or shows in the vein of RTC’s The Robber Bridegroom, Fiasco’s Into the Woods, or Soulpepper’s Of Human Bondage.
Don't see it if you don’t like genre mashups. This integrates certain modern elements into the classic world of Jane Austen.
See it if you're a fan of the Bennett sisters, enjoy the playwright's past work, want an evening full of honest & genuine laughs
Don't see it if Jane Austen is not your thing, you feel a humorous adaptation dishonors Austen, actors playing multiple roles and lack of scenery disturbs
See it if you want to see a fun, imaginative, well written and acted interpretation of a classic.
Don't see it if you don't like; plays, interpretations of classics, a fun night out at the theatre.
See it if you like a light, feathery take on a classic...a step or two up from community theater
Don't see it if you want something with gravitas; some older people near me were dismayed by the silliness of it
See it if you like slapstick humor, don't care about what was originally written and have patience for mugging and endless costume changes
Don't see it if you want insights and purpose for a re-interpretation of a classic that could have a lot to say about the status of women in 2017.
See it if If you want to experience the true talent of Jason O'Connell & if you are open to a raucous interpretation of Austen
Don't see it if Slap stick drives you crazy or if you are an Austen traditionalist
See it if You liked Hamill's Sense & Sensibility and you don't mind skipping the 2nd act. You like scripts where actors play more than one character.
Don't see it if You don't want to sit through a boring 2nd act with an insipid ending.
See it if you don’t mind a version of P&P where Lydia is the most complex character; you like Mel Brooks’ comedy at its loudest & flappiest.
Don't see it if you won’t tolerate Mel Brooks’ style poorly done by the lead. Be honest because this play is not quick. People left @ intermission.
See it if You love Austen in action. This play is a fresh comedic take on a classic.
Don't see it if You prefer a traditional unedited production of Austen. There is a touch of agressive over-acting by Elizabeth at the end.
See it if you are ready for a delightful, surprising, clever version (deconstruction?) of a beloved classic novel. It is tremendous fun and well done
Don't see it if you don't like productions with small casts playing multiple roles, if you aren't in the mood to laugh, or you don't like classics changed.
See it if you liked the Bedlam's Sense & Sensibility. This one is almost as funny and wild, although I missed the unconventional staging of S&S
Don't see it if you hope to see all the nuances of the book presented here, e.g., a statement about women's rights; that was lost in translation
See it if want to see a creative irreverent adaptation of a Jane Austen novel
Don't see it if you loved Kate Hamill's version of Sense & Sensibility and are expecting something of that quality again.
See it if You want a fresh take on a classic. You admire Kate Hamill's adaptations. You like talented actors playing multiple roles.
Don't see it if You are wedded to a conventional version of a classic. You prefer the serious to the screwball.
See it if you know Pride & Prejudice well, enjoy farce and physical comedy and love experiencing a terrific ensemble cast having a ball together.
Don't see it if I think this show is probably best enjoyed if you know the plot of Pride & Prejudice and the various characters.
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