"Stirring ensemble theater piece...Not so much a protest play, as it is a play about a protest, and that distinction is what it gives this docudrama its arresting complexity...That each cast member is such a compellingly specific presence is a blessing and a necessity...The rushing momentum of what happened, both scary and exhilarating, is most evocatively conjured by the details of first-person reminiscence...There is an infectious, heady joy in such scenes."
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"There's nothing naive or immature about this rousing piece of political theater. Instead, this collective work exudes the kind of nuance and wisdom born from difficult personal experience...The kind of mature, clear-eyed hindsight that is the mark of promising young artists...Ultimately, it's that sense of blazing passion that one is left with in 'The Fall'...'The Fall' stands as a stirring testament to their adaptability and fortitude, with lessons that deserve to be heard."
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"The student is the future in this powerful piece of social justice theatre...Its brutal honesty holds up a mirror that both reflects and amplifies its source. This exceedingly well-made devised piece revolves around the events during and after the Rhodes Must Fall movement in South Africa...Though experimental in nature, the piece never ventures into obscurity...The value of 'The Fall' lies in its ability to expand our existing understanding of activism."
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"This fleet-footed piece blazes with a sense of injustice and yearning for change that is hard to refute...Though steaming with militant ire...the piece avoids angry agit-prop, by honouring the arc of the protest...'The Fall' invigoratingly charts the Biko-isation of a generation of students; where it will end, though, is another matter. About the role of the Zuma government in this fraught chapter the show is studiously quiet."
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"A play that’s a nuanced, compelling insight into their fight. This close-knit group erupts onto the stage, humming with energy and resolve...A series of tightly-scripted debates show them wrestling with these problems...Here, infectious dance sequences show that they've got the energy to make their theories real. But more ponderous, dragging group movements also show their struggle’s psychological toll...'The Fall' couldn’t be more topical. It captures a spirit, a cultural moment."
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"It's a vivid account...If the subject seems timely, it's because the arguments have spread...If the arguments have become familiar, 'The Fall' pushes on. What happens next?...Told collectively and directly – old-school agit-prop – a lot of 'The Fall's' drama comes from heated debate. Jostling argument does the job of action and, under Clare Stopford's supervision, it covers the bases...Music acts almost as a balm...The songs stand for something in their own right as well."
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"This is an energising show, performed by its seven actors in song to a foot-stomping rhythm, capturing the heady rush of finding a cause to fight for...There’s real power here, as each performer takes their turn in the spotlight to give their own perspective...What adrenalizes this show are the differences it splits open between the students depending on their background. It’s not a tidy portrait of people unified by a common cause...It’s also a funny, humane piece of work."
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"The show pulses with life, and with the kind of passionate song and movement first glimpsed on the Edinburgh Fringe more than three decades ago, during the last years of apartheid. What makes 'The Fall' remarkable, though, is its combination of that pure physical energy with a uniquely vital, detailed, and profound political argument about how – so many years on – real decolonization and freedom is to be achieved."
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