Ghost Quartet NYC Reviews and Tickets

“A happily haunted song cycle…Directed with unobtrusive cunning by Tippe…On occasion the whimsy threatens to thicken to the clotting point. But the show never slows down enough to lose you, because Mr. Malloy is so infectiously in love with the dark arts of storytelling in all its forms…One of the most ingenious and affecting finales I’ve come across in years…Let’s just say that Mr. Malloy and company find new ways for guaranteeing that this exultant production’s melody lingers on.”
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“There’s not a linear story to follow, but the material coheres on a rich, intuitive level. Far less theatrical and character-based than Malloy’s ‘Great Comet of 1812’ this is an experiment in mood and evanescence, a chance to get inside the singer-songwriter’s head and savor the superb musicianship of his collaborators…They turn the Bushwick Starr into a cozy den of antique lamps and Persian rugs...Maybe like me, you’ll want to make it your regular haunt.”
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“Musically, Malloy reaches equally wide, his score an ingenious patchwork of folk, rock and jazz. But the best way to enjoy the show is to simply lose yourself in its otherworldly atmosphere, which easily goes from surreal to eerie, from touching to playful…Annie Tippe’s staging seems simple, but is actually ingenious…The finale is even better, one of the most wonderful staging coups of the season and too wonderful to be spoiled.”
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“‘Ghost Quartet’ is nothing if not complex. But in its tangled web lies deep, dark magic as many ghosts emerge into the light…The whole thing is almost literally entrancing, as you strain to catch meaning while simultaneously reveling in the sheer fertility of creation on offer. The performers are superb musicians and compelling performers. My only reservation was how much of the show took place in near darkness.”
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“It's an intoxicating blend of lyrics and sounds...There is a rich vein of dark humour both in the lyrical exchanges and in the use of unfamiliar instruments…While there is no strict narrative, the characters are luridly crafted...Principal vocalists Ashford and Bell have complementary yet contrasting styles, but it's Malloy's engrossing songwriting skills that are the focus here. Try to imagine a song cycle curated by Tim Burton and directed M Night Shyamalan.”
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“Anybody within reach of Edinburgh should not miss out on this delight. The show is impossible to categorize. Is it a concept album played live, a musical, a theatrical performance or a concert? It is all of these and none…An intoxicating 70 minutes…A remarkable finale…The atmosphere may be dark but it is always playful and tuneful, aided by the presence of four fine musicians…It may not be easy to categorize but 'Ghost Quartet' should be on everyone’s must see/hear list.”
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“A thoroughly enjoyable musical theatre performance that captivates and entertains…The musicianship on display is magnificent and majestic…At times the story does get a little bit lost in all the music and buoyant disorder that is being played out on the stage…An inventive show that combines upbeat folk music and twisted storytelling with haunting and beautiful results. The story is enjoyable and the songs memorable.”
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“A spellbinding song cycle-come-musical…The story feels summoned somewhere in the air between them, an electrifying presence, untethered to conventional blocking and choreography…As a narrative, however, it falls back on quite procedural motifs, and is difficult to piece together in the live setting, especially with so little staging. Whilst the whole is hard to assemble, 'Ghost Quartet' never loses its audience. Moment by moment, the vocals are full of mood and conviction.”
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